In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".
NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
A road movie with a heart of gold, Mark II is "the Polynesian Easy Rider". Three teens (Nicholas Rogers, Mitchell Manuel, Faifua Amiga) head south from Auckland in a two-tone Mark II Zephyr, two of them blissfully unaware they're being pursued by a van-load of vengeful thugs. Along the way, they encounter the Mongrel Mob, who turn out to be quite helpful, and experience love, prejudice and jealousy from strangers. Written by Mike Walker and Manuel, it was TVNZ's first telefeature and is the third film in a loose trilogy (following Kingi's Story and Kingpin).
In a career spanning four decades, director/producer Colin McRae has worked in news and current affairs, made documentaries and spent time as TV3’s Head of Sport. He conceived and produced award-winning series The New Zealand Wars. An association with Māori Television has seen him produce Native Affairs for six years, and play a leading role in its Anzac Day and election coverage.
Judy McIntosh made her screen debut on cop drama Mortimer's Patch and has gone on to act on projects in New Zealand, Australia, England — and Narnia. Her globe-trotting career has ranged from roles in Gloss and Kingpin to Aussie hit G.P and Go Girls. McIntosh has won awards for her work in feature films Arriving Tuesday and Ngati, and for a guest turn on TV series Marlin Bay.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
Born in England, Mark Mitchinson spent a number of formative years in New Zealand, before returning to the United Kingdom and training as an actor. But he kept coming back, eventually settling downunder in 2002 and rekindling his love of acting. Mitchinson has won awards and acclaim for TV movies Bloodlines and Siege, and has also starred in The Monster of Mangatiti and web series High Road.
Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — before making a run of feature films and TV movies, both in New Zealand and North America.