In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
A road movie with a heart of gold, Mark II is "the Polynesian Easy Rider". Three teens (Nicholas Rogers, Mitchell Manuel, Faifua Amiga) head south from Auckland in a two-tone Mark II Zephyr, two of them blissfully unaware they're being pursued by a van-load of vengeful thugs. Along the way, they encounter the Mongrel Mob, who turn out to be quite helpful, and experience love, prejudice and jealousy from strangers. Written by Mike Walker and Manuel, it was TVNZ's first telefeature and is the third film in a loose trilogy (following Kingi's Story and Kingpin).
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.