This Bill Ralston-fronted two part documentary looks at Auckland’s great family business empires: the Nathans (merchants and brewers), Myers (brewers), Wilsons and Hortons (newspapers) and Winstones (construction). With fortunes made in the pioneering days of the 19th Century, they created products that became household names and dynasties that dominated local commerce. Most failed to evolve and were picked off by the corporate raiders of the 1980s, but they left behind a legacy of fine homes, major buildings and community bequests.
Michael Horton's CV reads like a potted history of the Kiwi film renaissance. His editing work includes classic films Goodbye Pork Pie, Smash Palace, Utu and Once Were Warriors. In 2003 Horton's talents won international recognition, when he was Oscar-nominated for his editing on Tolkien epic The Two Towers.
Mike Horton is an award-winning editor who has worked on some of New Zealand’s most beloved films. His CV includes classics Goodbye Pork Pie, Smash Palace, Utu and Once Were Warriors. Horton was nominated for an Oscar for editing Peter Jackson’s The Two Towers, and his one regret is not editing the final film of The Lord of the Rings trilogy.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
On ‘Chrysalis’ Wellington producer Benny Tones creates a warm, electronic blend of hip-hop and funk (and 80s video game sound effects) for co-writer Sacha Vee’s soulful vocals. Director Jessica Sanderson (granddaughter of actor Martyn Sanderson) opens her video with Benny walking through darkened inner city Wellington streets. The third busker that he passes morphs into and out of a resplendent, glittering Sacha Vee (and the Legacy Dance Crew) in a hyper-real world which celebrates the creativity of street performers too often ignored by passersby.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
Created by animator Cameron Chittock, with help from Kiwi animation legend Euan Frizzell, this part claymation series follows a boy named Oscar as he goes off on adventures with two imaginary friends: daring Doris and the sometimes cowardly Bugsy. In these 26 five-minute episodes, Oscar meets pirates, oversized bugs, a frog princess, jumps on a flying carpet and travels through time and space. The series screened in New Zealand from 1995 to 1999. Overseas screenings included on ITV in the UK, where it became the 10th highest rating children's show on the network.
Toyota launched its classic Welcome to Our World campaign in late 1989, to support the company's sponsorship of the upcoming Commonwealth Games and the Sesqui 1990 festival. This version was put together for the 1995 America’s Cup and Rugby World Cup. But there is minimum product placement in the heart-warming montage of Aotearoa landscapes and people, set to country singer John Grenell’s baritone take on the Jim Reeves song. The Geoff Dixon-directed campaign ran for a decade; the song topped the Kiwi charts when it was released in early 1990.
This documentary heads to the Southern Ocean to explore New Zealand’s subantarctic islands. The Antipodes, Bounty, Snares, Campbell and Auckland Island groups are remote outposts between Aotearoa and Antarctica, home to vital breeding grounds for millions of seabirds and marine mammals – from penguins to sea lions and albatrosses – plus unique plants like giant tree daisies. Director Conon Fraser also looks at human efforts to live there from whaling depots, to the short-lived Hardwick Settlement. The hour-long NFU film is narrated by Ray Henwood (TV's Gliding On).
A talkback radio operator (Lucy Sheehan) is forced to stand in for the regular host when he walks out because of a personal crisis. In between trying to answer calls, organize a replacement and discuss odd topics with a succession of callers, the flustered operator makes a surprising connection with another lost soul. Auckland's urban soul is captured with distinctive assurance in this neglected 48-minute drama from director Alison Maclean — who wrote the script with Geoff Chapple.