In this acclaimed investigation for Three's current affairs show The Hui, Mihingarangi Forbes interviews four Māori men who were victims of abuse while in state care as boys. They talk about the lead-up to being in custody, the mental, physical and sexual abuse they suffered at the hands of other wards and staff, and the cycle it created. The screening drew public attention to systemic abuse, and played a key role in provoking the government to launch an official inquiry the following year. Warning: contains confronting themes and language.
Award-winning Māori current affairs show The Hui sets out “to increase understanding and awareness among mainstream New Zealand about the issues facing Māori and the unique aspects of our culture.” The format includes interviews, investigative reports and panel discussions. Fronted by journalist Mihingarangi Forbes, it screens on Sunday mornings on Three. An April 2017 Hui report on the experiences of men who were abused in state boys' homes won acclaim, and led to a government inquiry. The Hui is produced by Great Southern Television.
This 1977 film looks at the meeting of the 'two rivers' (Māori and Pākehā, oral and written) of the Aotearoa literary tradition. Rowley Habib is a guide as hui take place and readings of contemporary Māori poetry are set to images of Māori life, from Parihaka and land march photos to Bastion Point, urban scenes and a Black Power hangi. Poets include Mana Cracknell, Peter Croucher, Robin Kora, (a young) Keri Hulme, Brian King, Apirana Taylor, Katarina Mataira, Don Selwyn, Henare Dewes, Rangi Faith, Dinah Rawiri, Haare Williams, Hone Tuwhare, and Arapera Blank.
The Patea Māori Club whare was in desperate need of repair when the Marae DIY team stopped by to give it a revamp. The catch — there’s only four days to do it. The renovations are given a personal note as the show’s regular builder Hare Annef is a Patea local. Also lending a hand are soldiers from the nearby School of Military Engineering. The pressure builds as mid-construction changes are made to the plans, while elsewhere local kuia reflect on the storied history of the club. As the clock ticks down, the race is on to finish, lest the iconic club go without a whare.
In 1991 six tribes took a major claim to the Waitangi Tribunal, encompassing everything from intellectual rights to management of indigenous fauna. Law professor David Williams describes Wai 262 as “the most important claim the tribunal is ever going to hear”. This backgrounder interviews key claimants from three Northland tribes. In 2011 the Tribunal’s Wai 262 report recommended major law reform, arguing for Crown and Māori to shift to a forward-thinking relationship of “mutual advantage in which, through joint and agreed action, both sides end up better off”.
Haunui Royal directs this 1999 documentary on the people who live in the Far North, and their guardianship (kaitiakitanga) connection with the land and sea. Royal looks at how this traditional ownership is under pressure: from urban sprawl, pollution, and changing land use. Kaitiaki include farmer Laly Haddon, fisherman Rick, paralegal Ani Taniwha (whose work with ōi (shearwater) helped deepen her connection to the land); Ngāti Kuri members looking after Te Rerenga Wairua (Cape Reinga), and a group of rangatahi from Auckland.
Young choreographer Parris Goebel features in the first episode from season four of Māori youth show I AM TV. The series promoted te reo through interviews and music. Vince Harder performs "Say This With Me", Hawaiian reggae band Kolohe Kai hit Aotearoa, and a teen Parris Goebel heads to the United States to audition for TV's America's Best Dance Crew, with her award-winning hip hop group ReQuest Dance Crew. Plus new presenters Taupunakohe Tocker and Chey Milne are introduced by friends and family. I AM TV is the successor of Mai Time, which ran for 12 years.
Actors Tane Williams-Accra and Ngahuia Piripi joined Shortland Street in 2015, as ambulance driver Ali Karim and Nurse Esther Samuels. Here they introduce their favourite Shortie storyline: the one involving Ferndale Strangler Joey Henderson (Johnny Barker). Cut from a longer clip which is viewable on NZ On Screen, the finale has the formerly sympathetic nurse and recently discovered serial killer escaping to the rooftop, where he is tackled by flatmate Kieran Mitchell (Adam Rickitt). When the police show up and make Kieran let go, Joey takes fate into his own hands.
Service station worker Tania (Sophie Henderson) is a blonde-haired, blue-eyed woman who identifies as Māori, working to take her little bro Pi to Surfer’s to find their Dad. But flitting Pi causes plans to go awry. Directed by Curtis Vowell (his debut) the script was adapted by Henderson from her theatre monologue, and shot in 20 days via the NZFC’s low budget Escalator scheme. The twist on the Hine-nui-te-po myth was a breakout hit of the 2013 NZ Film Festival. NZ Herald critic Dominic Corry raved: “one of the freshest New Zealand films to come along in years”.
This 2011 anti-drink driving ad campaign became a Kiwi pop cultural phenomenon, spawning countless parodies, memes, t-shirts and over a million YouTube views; phrases from the ad entered the vernacular (“you know I can’t grab your ghost chips”). Eschewing the usual shock and horror tactics, the Clemenger BBDO campaign for the NZ Transport Agency was targeted at young male Māori drivers, and used humour to get the message across that it was choice to stop a mate from driving drunk. Directed by Steve Ayson, it won a prestigious D&AD Yellow Pencil award in 2012.