It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Biscuits dance, food flies, dead chickens walk ... come closing time, the shelves of a dairy come to life. Four years in the making, this showcase of stop motion effects is based loosely on a classic poem by Goethe. The lively Indian-tinged soundtrack is inspired by the poem's most famous retelling: the Disney classic Fantasia, in the Sorcerer's Apprentice sequence where Mickey Mouse battles magical broomsticks. The music is handled by John Psathas, who later composed for the 2004 Olympic Games in Athens.
As the Operations Manager for Womad (World Of Music, Arts and Dance) in New Plymouth, Chris Herlihy performs the essential but often mundane jobs that make this large-scale outdoor event an annual success story. This half-hour documentary follows Herlihy and his crew as he oversees the pop-up city that is Womad 2011 — from looking after VIPs and fixing ticket problems, to mopping up the loos. New Plymouth has fully embraced Womad. Herlihy's love for the festival and his colleagues shines through as he power walks around the beautiful Brooklands Park site.
Pop Goes the Weasel was C4's twisted answer to iconic British pop quiz Never Mind the Buzzcocks, embracing a shambolic DIY approach with oversized props, lots of ribbing and an oiled up man in tights (the Weasel) handling the judging. It's fair to say that not every joke has aged well. This trans-Tasman stoush pits a young Dai Henwood and Evan Short from Concord Dawn, against Scott Owen from The Living End and a DJ called 'the Doctor'. Overseeing it all is quizmistress supreme, Jaquie Brown. Director Toa Fraser pops by to embarrass Henwood with a prank call.
In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
This dance pop anthem was a number one for the reality TV series-generated act TrueBliss — and the biggest selling single by a New Zealand artist in 1999. It was written (like most of the TrueBliss album) by Anthony Ioasa, an APRA Silver Scroll winning co-writer for Strawpeople's 'Sweet Disorder'. The video features a girls' night in slumber party, complete with home movies, hairbrush microphones, pillow fights, dress-ups, American Indian head-dresses and hula dancing. There is also quite a lot of moody introspection for what is essentially an unabashed love song.
Mark Lapwood began a career of taking pictures at his local newspaper in Palmerston North. At 20 he relocated to Sydney, slowly working his way up the ladder to become a cinematographer. Graduating from the Australian Film TV and Radio School in 2000, he shot his first feature soon after: Indian drama Maya. Three years later he was based in India and filming across the globe. Lapwood returned to NZ in 2011.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
Bill Kerton has directing and writing credits on shows from Havoc and Newsboy to Jim Hickey’s A Flying Visit, but it’s his voice that will be most recognisable to punters. Duncan Greive of The Spinoff called him a "narrating genius" for his observational documentary voice-overs. Kerton's distinctive drawl and humour have graced everything from bogans to Neighbours at War, the show he also directed for four seasons.