The Mighty Civic offered a delirious and colourful celebration of Auckland's grandest old movie palace, made at a time when the building's future was under threat. The film uses a mixture of stylised sequences, archive footage, personal memories and poetic narration to evoke the spirit of the theatre in its heyday. Director Peter Wells' film galvanised public support, and ultimately the building was saved and refurbished, to remain the crown jewel of Queen Street's cinema district. This clip features the first 10 minutes of the hour long film. Costa Botes writes about the film here.
Acclaimed saxophonist Nathan Haines was reared in a jazz family (father Kevin on bass, and brother Joel on guitar). Aged 19 he left New Zealand as an AGC Young Achiever to study in New York, and discovered the club scene. His bestselling 1994 debut Shift Left — which became one of New Zealand's biggest-selling jazz albums — set the template for his distinctive fusion of modern and traditional jazz sounds. A shift to the UK spawned several albums; track 'Earth is the Place’ became a club hit. Haines has toured with the NZSO, headlined at Ronnie Scott’s Jazz Club, and recorded with drum and bass man A-Sides.
California born, singer songwriter Reb Fountain arrived in NZ by boat with her family aged 11. After playing in bands in Dunedin and Christchurch, she headed overseas where she studied jazz singing in Seattle and lived in New York and London. Now based in Auckland, she released her first solo album Like Water in 2006 and her second, Holster in 2008 (which included 'January's Well' — a preliminary finalist in the 2008 APRA Silver Scrolls). In partnership with director Anton Wood, Fountain has produced a series of distinctive music videos.
If a single word could sum up the free-wheeling flavour of alternative music and comedy in Aotearoa during the 1970s, that word would surely be ... Blerta. The 'Bruno Lawrence Electric Revelation and Travelling Apparition' included foundation members of the NZ screen industry (Lawrence, Geoff Murphy, Alun Bollinger) plus other merry pranksters. Drawing on the Blerta TV series and beyond, Blerta Revisited (aka Blerta - The Return Trip) is an anarchic collection of comedy skits, musical interludes and films culled from the Blerta archives. Costa Botes writes about Blerta here.
Music is Peter Blake's passion. Blake's career has encompassed jazz, Hendrix covers, keyboards for Hello Sailor – and quite a lot of television. After time at radio station 2ZA he began working on TV music show Grunt Machine, then got the job of musical director, and later producer of the high-rating, hit-making Ready to Roll. Soon he was commanding a stable of music shows that included RTR, Radio with Pictures, Heartbeat City, and stereo simulcasts of rock concerts.
New Zealand-born actor Barbara Ewing attracted early notice in 60s British horror films, and became a UK household name as buxom Agnes Fairchild on TV comedy Brass. Ewing was raised in NZ, before leaving to train at RADA in London. In 1979 she won a Feltex Award as the lead in NZ returning expat drama Rachel. Ewing has written plays and several acclaimed novels, including Victorian theatre-set bestseller The Mesmerist.
Terry Gray composed and arranged music for dramas, variety shows, dance legend Gene Kelly and the Commonwealth Games. Along the way, his work included everything from the iconic 'We are the Boys' Chesdale commercial to a gold-selling CD.
Being a big man with a “face like the map of Ireland” made him an unlikely starter, but in the mid-70s Glyn Tucker was one of New Zealand’s best known screen personalities. The larger-than-life character was a racing guru, and also a popular radio then TV presenter: his television roles ranged across sports commentator, punting pundit, crooner and light entertainment show host.
Bernie Allen, QSM, was a professional musician and teacher before beginning his TV career as musical director of popular 60s show C’mon. He continued on to Happen Inn, followed by a vast number of shows as composer or music director over the next two decades. His score for Hunter’s Gold won an APRA Silver Scroll; his arrangement of ‘Hine E Hine’ accompanied the classic Goodnight Kiwi animation.
Music has been integral to Kevin Ballantyne’s life since the day he picked up a cornet at age five. The Aucklander has been composing music for 40 years for television, theatre, short films and commercials. Ballantyne wrote music for the iconic Heartland series. His first foray into writing music for the screen was 1977 natural history documentary Red Deer, which won an award at the American Film Festival.