As part of a 25 Years of Television in New Zealand concert, Kiwi country music great John Grenell returns to his 1964 single ‘Streets of Laredo’. The classic cowboy song has inspired cover versions, parodies and reinventions over more than a century. Grenell dedicates this 1985 performance to “the late and the great Mr Tex Morton” — the Kiwi showman and country music star had passed away two years earlier. Grenell himself was taking an extended layoff from recording; three years later he released album Silver, followed by his beloved version of 'Welcome to Our World'.
Toyota launched its classic Welcome to Our World campaign in late 1989, to support the company's sponsorship of the upcoming Commonwealth Games and the Sesqui 1990 festival. This version was put together for the 1995 America’s Cup and Rugby World Cup. But there is minimum product placement in the heart-warming montage of Aotearoa landscapes and people, set to country singer John Grenell’s baritone take on the Jim Reeves song. The Geoff Dixon-directed campaign ran for a decade; the song topped the Kiwi charts when it was released in early 1990.
This episode of TVNZ’s Avalon studio-filmed "mainly country" music show opens with The Toner Sisters, ‘Rockin' with the Rhythm of the Rain’. Introduced by host Andy Anderson as “the big D on the big P, with the big ballad”, Dalvanius bangs out ‘Just Out of Reach’ on the piano. Sharon de Bont covers ‘When Will I Be Loved’. Anderson kids around with Rob Winch and John Grenell, before Grenell gets wistful on ‘Past Like a Mask’. The Ranchsliders get things moving with Paul Simon's ‘Gone at Last’. Then Anderson leads the team for Bonnie Raitt’s ‘Sweet And Shiny Eyes’.
The three day Nambassa Festival, held on a Waihi farm in 1979, is the subject of this documentary. Attended by 60,000 people, it represented a high tide mark in Aotearoa for the Woodstock vision of a music festival as a counterculture celebration of music, crafts, alternative lifestyles and all things hippy. Performers include a frenzied Split Enz, The Plague (wearing paint), Limbs dancers, a yodelling John Hore-Grenell and prog rockers Schtung. The only downers are overzealous policing, and weather which discourages too much communing with nature after the first day.
Hosted by one-time mod Ray Columbus, That's Country was one of the highest rating shows of the early 80s. This 1982 episode features veteran Kiwi country performers (John Hore, Patsy Riggir) and trans-Tasman pop star Dinah Lee. The opening ensemble number features Canadian singer Glory-Anne Carriere and US duo the Gypsy Mountain Pickers, along with Australian Jade Hurley (who still bills himself as the King of Country Rock). Check out the rhinestone cowboys and girls as they belt out the theme song, then settle in for solo performances. Yee-ha!
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lyn of Tawa.
Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.
His name was synonymous with entertainment in New Zealand. Dubbed Ol' Brown Eyes — Māoridom's version of Frank Sinatra — Howard Morrison's voice and charisma carried him through decades of success both here and abroad. From the Howard Morrison Quartet to time as a solo performer, Morrison's take on songs like 'How Great Thou Art' ensured his waiata an enduring place at the top of local playlists.