Des Monaghan has made an enormous contribution to the television industry as a TV producer and network executive in both New Zealand and Australia. Starting as a trainee producer with the NZBC, Monaghan produced a range of pioneering current affairs shows such as Town and Around, Gallery and Compass. In more recent years, Monaghan set up Australasian production company Screentime, whose slate includes popular shows Popstars, Underbelly, Police Ten 7 and Beyond the Darklands.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Campbell Live launched on 21 March 2005, in a slot following TV3’s primetime news bulletin. Over the next decade it gathered acclaim, awards (including Best News Investigation in its first year) and the odd controversy. Strongly identified with host John Campbell, the show mixed softer stories with a number of pieces of advocacy journalism, including stories on child poverty in low decile schools, and homeowners affected by the Christchurch quakes. News of Campbell Live’s end in 2015 won extensive media coverage, and an unsuccessful petition to keep the show on air.
In this episode of Fourth Estate, journalism lecturer Brian Priestley ruefully brings down the curtain on state TV's media commentary show. After 12 years of scrutinising newspapers, radio, magazines and TV, Priestley offers parting awards for "the most memorable people, programmes or papers since 1976". He also gently snipes at the decision to can his show (which he points out still rates as well as Miami Vice). While full of praise for the achievements of some outlets and journalists, Priestley sees a difficult future ahead for a media under threat from trivialisation and superficiality.
American journalist George Plimpton was a pioneer of ‘participatory journalism’; writing stories describing his experiences trying on the shoes of boxer, comedian and trapeze artist. In Kiwi TV series The Deep End, reporter Bill Manson tested himself by taking turns as a professional wrestler, female impersonator, captain of a navy frigate, and so-called Mum to a family of 18 kids, among others. The globe-travelling journalist later said the show was one of the projects that remained dearest to his heart, despite — or because of — its mixture of joy and terror.
Eating Media Lunch satirised mainstream media, from "issues of the day" journalism to reality TV to the society pages (lampooned in the "celebrity share market index index"). No fish was too big or barrel too small. Presenter Jeremy Wells kept a straight face over seven seasons of often controversial episodes, while investigating issues inexplicably missed by other media (eg the porno film made in Taranaki and shot in te reo, or ritalin-fueled reality programme Medswap). EML's seventh season won Best Comedy Programme at the 2008 Qantas Film and Television Awards.
Attitude is a weekly series that addresses the issues and interests of people living with a disability. The high energy series launched in 2008, with a strong thread of advocacy journalism. Attitude has a number of team members who themselves have a disability, including all the onscreen researcher/reporters. Much of Attitude's content has been loaded onto online hub Attitude Live, which launched in 2013 and later beat 86 countries to win a World Summit Award in the 'inclusion and empowerment' category — plus praise for digital innovation.
Column Comment in the 60s and News Stand in the 70s established a tradition of print media scrutiny by TV. Fourth Estate succeeded them with a brief expanded to include radio, TV and magazines. For 12 minutes on Friday nights, no media outlet (and especially not broadcaster TVNZ) was safe from the ruminations of journalism lecturer Brian Priestley, along with John Kennedy, editor of the Catholic weekly The Tablet, and guest presenters. Only brief programme excerpts and graphics of the newspaper articles under discussion provide visual relief.
Until Proven Innocent is based on the case of David Dougherty, and the lawyer, scientist and journalist who concluded he had been wrongly convicted. In 1993 Dougherty was jailed for the rape and abduction of an 11-year-old girl. This dramatisation follows the campaign to prove his innocence: court appeals, journalism, and a key piece of DNA evidence. Chosen to open 2009's Sunday Theatre season the tele-movie was nominated for 10 Qantas Awards, and won five, including best drama and best actor (for Cohen Holloway's standout performance as Dougherty).
Here is the News surveyed Kiwi television journalism up until 1992. Presented by Richard Long, this 10 minute excerpt looks at radio and TV coverage of the Wahine disaster, where over 50 people died after the interisland ferry struck Barrett Reef, on 10 April 1968. NZ Broadcasting Corporation reporters Keith Aberdein, Fred Cockram, Nadoo Balantine-Scott and cameraman Andy Roelents are among those recalling their experience of the storm, and the challenges of covering the tragedy — and broadcasting it across New Zealand, in the days before nationwide transmission.