Kauri stand amongst the giants of the tree world, able to grow more than 50m tall and girths of up to 16 metres, and live over 2000 years. This NFU film looks at the ancient conifer and its relationship with people. A thoughtful narrative traces the kauri's utility, and contemporary efforts to preserve remaining trees — the tree’s timber and gum fuelled colonial growth, but milling devastated the great northern forests. Archive footage evokes the pioneer days: kauri dams, woodsmen dwarfed by felled trunks, and Dalmatian gum hunters scaling sky-scraping trunks.
This edition of TV2’s Sunday documentary slot explores the life of “pioneer woman” Lukre Martinovich. Martinovich departed the Dalmatian coast for New Zealand in 1907, as a 21-year-old mail-order bride. She recounts experiences starting a family of 12, while scraping kauri gum in Northland’s ‘black swamp’. A visit to Otamatea Kauri Museum spurs memories, and some of her 160 descendants gather at Ruawai Bowling Club to celebrate her birthday. Dancing stops for Lukre (also known as Lucy) to follow a punt on the races on the radio, with the local priest on hand as support.
Te Araroa is a 3000 kilometre, Aotearoa-long walkway. In this Māori Television series, host Pio Terei walks it, sampling “New Zealand experiences”. In this first episode, Terei treks his home turf: the trail’s northernmost stage, from Te Rerenga Wairua (Cape Rēinga) to Kaitaia. Pio goes fishing in Ahipara; gets kitted up with a knife, and a kauri tokotoko (walking stick); gets stung by a manuka honey bee; meets the Tarara (NZ Dalmatian) people, and talks mission statements and hangi with members of the hīkoi that "changed the face of the nation" – the 1975 Māori Land March.
A request from Holland's National Museum of Ethnology to acquire a Māori war canoe (waka taua) as a permanent exhibit resulted in master builder Hector Busby being commissioned to craft one. Jan Bieringa’s film looks at the history of waka, and follows the project from construction and launch, to the training of a Dutch crew and arrival in Holland. The first waka to permanently leave New Zealand shores makes a surreal sight on the canals of Abel Tasman’s birthplace. Onfilm reviewer Helen Martin praised it as "a special film about a very special project."