It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.

Future Shortland Streeter Craig Parker features in this tale centred on a group of young teens fascinated by radio-controlled car racing. Screening as a TV series, Hotshotz was also recut into this telefilm. The "swift and slick" tale (The Listener) sees the teens setting out to foil a criminal gang, as a kidnapping sets the scene for espionage and counterfeiting. In scenes that echo modern-day drone use, a remote controlled model helicopter equipped with a camera plays a key role in the story’s resolution. Veteran writer Ken Catran contributed to a title that sold in 25 territories.      

The Stolen follows English migrant Charlotte Lockton (Alice Eve, from Star Trek: Into Darkness) as she sets out to track down her kidnapped baby in gold rush era 1860s New Zealand. En route she meets gamblers, hustlers, prostitutes and Māori warriors. Bringing the era to life are Scotsman Graham McTavish (The Hobbit), Brit James Davenport (as the romantic interest), Rocky Horror Show creator Richard O’Brien, Cohen Holloway and singer Stan Walker. Produced and originated by London-based Kiwi Emily Corcoran, the film was directed by Brit Niall Johnson (comedy Keeping Mum).  

In writer/director Max Currie’s debut feature, a magician conjures his greatest illusion – a little boy – to try to help return happiness to his wife and family after the loss of their son. But the trick falls apart when a child abduction hunt closes in on them. Everything We Loved was funded through the NZ Film Commission’s Escalator film scheme, and produced by Tom Hern (The Dark Horse, I’m Not Harry Jenson) and Luke Robinson. It was chosen for the ‘New Voices/New Visions’ section of the Palm Springs Film Festival and premieres locally at the 2014 International Film Festival.

It was third time lucky for twice-engaged Nick (Karl Burnett) and Waverley (Claire Chitham) to finally make it to the altar. Since first getting together in 1994, viewers had followed Nick (who joined Shortland Street on episode two) and Waverley through sickness and health, estrangement, and even a kidnapping during a previous marriage attempt. Their union was dubbed the TV wedding of 2002. The nuptials saw the return of Marj (Elizabeth McRae) and Jenny Harrison (Maggie Harper). In May 2017 the couple were set to return from Taranaki, for Shortland's 25th anniversary.

Duggan features John Bach in the title role of the brooding detective who solves murders, amid the tranquillity of the Marlborough Sounds. In this excerpt from the first part of two-parter 'A Shadow of Doubt', Duggan finds himself investigating the kidnapping of the daughter of friend Joanne Taylor (Jennifer Ward-Lealand). The suspects includes Joanne's business partner (Andy Anderson). A sharp, stylish Kiwi take on the classic English whodunit, this episode won an award for scriptwriter Donna Malane, and features evocative imagery by cinematographer Leon Narbey.

Auckland band Herbs could have released their new album in the comfortable confines of an Auckland nightclub. Instead, they travelled to Ruatoria — a troubled and divided East Coast town where turmoil surrounding a Rastafarian sect had resulted in assaults, kidnappings and firebombed churches. Lee Tamahori and John Day's documentary captures an emotional experience for band and locals as they meet at Mangahanea Marae, in an attempt to shift the focus from disunity to harmony. This footage also yielded the award-winning Sensitive to a Smile music video.

"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.

Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.