A woman running an Auckland laundromat finds herself accosted by a drug addict. A frustrated customer struggles with a machine that is out of order and ruining her expensive clothes. Somewhere across the city police are on their way to a drug bust. However all is not what it seems on Karangahape Road, and the consequences look to be life altering. The three tales in this film were made as part of NZ On Air funded K’ Rd Stories, a collection of short films which all tell stories set around Auckland’s most legendary, notorious, and arguably most beloved street.

Kicking off in an inner city laundromat, this K' Rd Story travels strange places indeed. An unassuming man is going about the business of getting some clothes washed, when he realises that his clothes have disappeared mid cycle. Opening the washing machine, surprised by what he sees, he climbs in... Grant Lahood's pedigree in quirky, low or no dialogue short films dates back to the classic Snail's Pace in 1989. Peter Tait, who stars, played the hunter in Lahood's short The Singing Trophy — which scored an award at the 1993 Cannes Film Festival.

In this episode of the 2014 web series, South Auckland family the Saumulus finally make it on stage to perform in a best-of-the-factories talent quest. Tensions rise before the family debut, with teenager Tavita late to arrive. The Saumalus sneak through, but one of the judges warns that their act needs an upgrade: “this is X Factory not the History Channel.” Later a fish spill threatens to expose Tavita’s after hours work, as events at the laundry heat up. The Factory was inspired by the Kila Kokonut Krew musical stage show.

‘Beda’ featured on saxophonist Nathan Haines’ live album Soundkilla Sessions Vol 1 (1996). This 1997 music video — directed by Carla Rotondo — is a woozy showcase of Haines’ trademark clubland jazz, shot through with reds and yellows as the camera sways and swings around an Auckland laundromat. A couple of young women get ready for a night out, an old fella perves, a young Oliver Driver gets intimate next to the Surf, and an equally fresh-faced Paolo Rotondo gets lost inside his headphones and sheepskin jacket.

“This song is called ‘Medicine Man’ because music is my medicine, and failing all else in life, music remains the constant no matter who else is there.” So said Tama Waipara of the first single from his third album Fill Up the Silence, which was rated Best Roots Album at the 2014 NZ Music Awards. The song’s beat is credited to a Papua New Guinean influence, but Jessica Sanderson’s video roams widely: from Pasifika and colonial drummers to carpark breakdancing and getting lost inside headphones in a laundromat, from poi to pop and lock — to where “love is in the music”. 

This infectious hip hop hit marked Savage’s solo debut, after his previous recordings with The Deceptikonz. A NZ chart-topper for five weeks, it went platinum in the USA (helped by its placement in Hollywood comedy Knocked Up and as the soundtrack for its DVD menu). For her video, director Sophie Findlay created a laundromat from scratch in an empty Otahuhu shop. In it she intersperses an undersized Savage and 70s-themed dancing girls with darker, more contemporary hip hop imagery. It must be all a dream, because the pimply palagi teenager is the tough guy.