After being elected school representative against the odds — and certainly against her will — Lucy Lewis (Thomasin Mckenzie) must find a way to rid herself of the responsibility. Then she discovers an evil scheme by the principal (played by McKenzie’s real life mother Miranda Harcourt) to rake in cash at the students’ expense. Suddenly Lucy's new position provides an opportunity to foil the plot… if she can keep it. But winning over her peers could be tricky. McKenzie went on to co-star in American feature Leave No Trace, and act in Taika Waititi movie Jojo Rabbit.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
The great outdoors and the arts are what most inspires sound recordist turned documentary director John Hagen. He learnt the ropes at Avalon television studios, before venturing out on his own as a director. Alongside arts shows like Frontseat and New Artland, Hagen has celebrated Kiwi architecture in The New Zealand Home and recreated hazardous pioneer journeys in popular series First Crossings.
Max Cryer’s career as an entertainer has encompassed pioneering live talk shows (Town Cryer), singing on stage and screen, and extended time in the United States. After a busy decade of television presenting beginning in the late 60s, Cryer went behind the scenes to produce a clutch of quiz shows —before a late flowering as a prolific, bestselling author, exploring his love of words and Kiwi culture.
Since relocating from the United Kingdom, Peter Roberts has made his mark in New Zealand as an editor. Roberts found his editing niche at TVNZ, before a prolific freelance career saw him cutting a string of documentaries, shorts, and features — including award-winning drama The Dark Horse. In 2013 he became the first editor to be elected President of the Directors and Editors Guild of New Zealand.