Bill Sevesi was the 'Godfather' of Polynesian music in New Zealand; his impact can be heard in the strum of ukeleles in classrooms across the country. In this 24-minute film Sevesi (born Wilfred Jeffs) narrates his life story, including his childhood in Tonga, making his first guitar, and his role in bringing Pacific Island music into the dance halls of 1940's and 50's New Zealand. Sevesi's bands mixed Hawaiian steel guitar with pop tunes of the day, resulting in sunny hits like 'Kissing Hula'. Watch out for uke player Sione Aleki, Tonga's answer to Jimi Hendrix.

A big budget New Zealand-French-Australian co-production, kidult series Deepwater Haven screened on TV2. It followed the fortunes of Waitemata Harbour tugboat skipper Jack Wilson (Vince Martin of Beaurepairies advertising fame) and his two kids, Georgie (Jay Saussey) and Peter (Peter Malloch). This opening episode sees Jack struggling to keep his business afloat; the local cafe is burgled; and Peter, marooned at a dry dock while on the run from bullies, is rescued by a street kid (future Pluto singer Milan Borich). Saussey won a NZ Film and TV Award for her role.

This Māori Television series follows South Auckland dance crew The Palace as they prepare for the World Hip Hop Dance Championships, and a shot at their fourth title. This first episode films open auditions where dancers, including two gay brothers from Tokoroa, hope to join 'The Royal Family'. Led by choreographer Parris Goebel — who talks here about her method and early days —  the crew have won global fame, including bringing its 'Polyswagg' to the hit video for Justin Bieber’s Sorry. There are also scenes of Goebel choreographing 2015 Kiwi movie Born to Dance.

In this Koha story, reporter Temuera Morrison arrives on the East Coast to watch the making of Mauri, the first dramatic feature directed solo by a Māori woman. Writer/director Merata Mita argues that the 50s set drama is "about birth and death, and all that takes place between", and talks about how the film is important in giving Māori filmmaking experience, and a voice on screen. Actors Zac Wallace (Utu) and Eva Rickard are interviewed, while locals talk about the challenges of making movies. There are also glimpses of some of the Ralph Hotere-designed sets. 

"I like uncovering people and getting them to fess up to **** and to be more real with themselves." So said Anika Moa to TV Guide of her late night Māori TV talk show. In the first episode, the forthright Moa has two Real Housewives of Auckland on the couch. Moa trades laughs with champagne fan Anna Batley Burton, while Gilda Fitzpatrick shows actor Madeleine Sami the high life, and Sami shows her the thug life. There’s giant knitting needles and innuendo; hip hop artist Kings performs hit 'Don’t Worry Bout It', and The Spinoff’s Alex Casey previews Sensing Murder. 

This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).

In this first episode of the 2015 Māori Television series, three rangitahi answer a Facebook call for sailors who are up for reconnecting with nature and their culture, on a six week waka journey circumnavigating the North Island. The te ao Māori twist on the fish out of water reality show sees a trio of young Māori (including Boy discovery Rickylee Russell-Waipuka) set sail on Hoturoa Barclay-Kerr’s waka Haunui, where they’re separated from social media, face seasickness and rough seas, and learn the "ancient laws of voyaging". The winner gets the chance to join a voyage to Rarotonga.

In this tribute to veteran broadcaster Angela D'Audney — broadcast soon after her death in 2002 — colleagues and friends recall her tenacity and confidence. After nearly 40 years working in television, D'Audney earned the title of New Zealand's "first lady of broadcasting". D'Audney was 18 when she joined the NZ Broadcasting Corporation as an announcer in 1962; she went onto become one of the country's first female TV newsreaders. She recalls losing jobs, the thrill of reading live news and the scandal she faced when she appeared topless in 1982 TV drama The Venus Touch. 

This Work of Art documentary follows veteran actor and director Ian Mune as he works with NZ Drama School graduates, to write and shoot a 15 minute film in just two days. Many of the actors (who include future bro'Town voice David Fane and Saving Grace's Kirsty Hamilton) have little experience acting for the camera. Mune passes on lessons learned in a career that began long before such tuition was available locally. Shot at Wellington Railway Station, Rush Hour, the resulting film, is included in its entirety during this fascinating insight into the creative process.

When a show has been in production for over 25 years, the odd mistake is to be expected — as this assemblage of Shortland Street bloopers demonstrates. - Angela Dotchin invents a new word - Angela Bloomfield gets confused over who she's talking to - Peter Elliott almost gets hit by part of the set - Peter Elliott manages to stay in character after Tandi Wright hits a pot plant - John Leigh performs miracles on a sick dog - Peter Elliott has some bother with Elizabeth McRae's cheque - Michael Galvin hurts his leg - Roy Snow gets his cords confused - Theresa Healey has a bumpy kiss - Paul Ellis's face is grabbed by a baby  - Ido Drent announces he's pregnant - Craig Parker hits a pot plant - Mr Whippy distracts Nisha Madhan  - Angela Bloomfield fluffs her line - Angela Bloomfield battles dialogue and weapons - Lee Donoghue forgets a line - and more!