This boisterous Geoff Dixon-directed commercial dates from the time when craft beer was yet to make a big mark, and Lion Red was NZ's number one beer. Hyperactive in a flannel shirt, a pre-Hercules Michael Hurst takes the mic at a pub talent quest, and sings a war cry for Kiwi blokes against wimpy pretenders like champagne cocktails and Mexican beers. Local advertising veteran Roy Meares wrote the "anti-yuppie commercial" (he was also behind the long-running Speights 'Perfect Woman' campaign). The Murray Grindlay-composed song became a pub anthem.
This documentary confronts attitudes to alcohol consumption in NZ. Interviews with those who see major problems (including police, ambulance, youth workers, Family Planning and Women's Refuge) and those who don't (brewers, advertising agencies, sports groups and publicans) are interspersed with often-graphic footage of excessive alcohol use. The challenging depiction of the culture piqued Lion Breweries, who complained to the Broadcasting Standards Authority. The BSA rejected their assertion that the programme was salacious, but did agree it "lacked balance".
In 1973 EMI producer Alan Galbraith amassed a supergroup of Kiwi musicians to provide session music for the label’s artists, including singer Mark Williams. The band’s first line-up was Wayne Mason and Carl Evensen (The Fourmyula), Keith Norris and Clint Brown (Rebirth, Taylor) and Bruce Robinson (Face, The Pleazers). Rockinghorse released two albums of their own, and won gongs for Best Group and Single at the 1975 RATA Awards. The band's celebrations led to a year-long ban from the Lion Breweries pub circuit.
In 1973 EMI NZ producer Alan Galbraith saddled up Rockinghorse: a supergroup of Kiwi musicians (including ‘Nature’ composer Wayne Mason) to provide session music for the label’s artists. Rockinghorse found success of their own with the third single from the Throughbred album — ‘Thru the Southern Moonlight’. It won Best Single at the 1975 RATA Awards. The band also won Best Group and their celebrations led to a year-long ban from the Lion Breweries pub circuit. Here they funk up the cowbells in a 1974 end-of-year special, for Christchurch-based music show Pop Co.
The versatile Laurie Dee has played straight, comical and musical, and sometimes comical and musical at the same time. Sideman to Billy T over the first four seasons of The Billy T James Show, Dee later reinvented himself ... as an inventor.
Part of a well-known Kiwi arts family, Josh Frizzell’s screen apprenticeship involved props and design; one early gig saw him delivering prop machine guns up the Shotover River by helicopter. He went on to direct a run of 90s music videos, including award-winners for Emma Paki (System Virtue) and Shihad (Stations). Frizzell has helmed episodes of Go Girls, The Brokenwood Mysteries and the Cook Islands set Tatau. His extensive resume of advertising work includes multiple inflight safety campaigns for Air New Zealand, and a break-in at the Tui Brewery. He is one of the owners of Trans-Tasman commercials company Eight.