The dark arts of the maul and scrum are shown in a new light in this short horror from Wellington filmmaker Colin Hodson. A failed try out for the local team spurs young rugby player Will (Ian Lesa) into greater efforts at training; after all, as the cardboard cutout rugby hero in the shop window tells him: “no guts, no glory”. But when he discovers some oval-shaped oddities in the steamy changing room, he’s given cause to question his ambitions. Maul screened at New Zealand and Melbourne Film Festivals in 2013. Ex-All Black Dallas Seymour plays the coach.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
“Real patients, real drama: real emergencies.” This 2007 series goes behind the scenes of the Emergency Department at Wellington Hospital, focusing on the medical staff who treat patients in most urgent need of treatment. In this opening episode, a zookeeper is mauled by a lion, an infant fights for his life, and a patient has chopped his basil too finely. Produced by Greenstone productions (The Zoo, Border Patrol) the 12-part series won the Best Observational Reality Award at the 2007 Qantas Television Awards.
Current affairs show Gallery took on controversial topics of the day, most famously in a Brian Edwards interview which solved a Post Office industrial dispute live on-air. Produced by Des Monaghan, it began as a studio-based programme that discussed political issues, but was soon expanded. Edwards’ confrontational style of interrogating public figures was new to New Zealand TV, and polarised viewers. It saw Edwards (the "mad mauler") become a household name, and earned him a reputation as a hardline interviewer. He was succeeded as host by David Exel.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
Colin Hodson began making movies as part of the so-called Aro Valley Movement; contemporary digital films with links to the Wellington suburb of Aro Valley. After starring in 1999‘s Uncomfortable Comfortable, he directed and starred in Shifter and .OFF. (aka .ON.). The multi-talented Hodson has since made short Maul (which played at the Melbourne Film Festival), edited varied screen projects, and attended Europe's Binger Filmlab.
Canadian Joe Cote was travelling the world on his OE when love led him to New Zealand in 1965. He landed a job at the NZ Broadcasting Corporation soon after; initially he wasn't allowed on air because of his accent. In 1970 Cote moved into TV, presenting current affairs show The South Tonight. He also worked on Gallery and Inquiry. Cote became the inaugural presenter for National Radio's Morning Report in 1975.
Piha-based Marc Mateo spent more than two decades in the camera department, where he did turns at every job going from gaffer (chief electrician) to cinematographer. Mateo specialised in lighting. From 2002 he was director of photography on a number of music videos, shorts (including the fantastical Meniscus) and commercials, plus two features for cult director David Blyth: Wound and Ghost Bride. Mateo died on 12 June 2015.