The Mighty Civic offered a delirious and colourful celebration of Auckland's grandest old movie palace, made at a time when the building's future was under threat. The film uses a mixture of stylised sequences, archive footage, personal memories and poetic narration to evoke the spirit of the theatre in its heyday. Director Peter Wells' film galvanised public support, and ultimately the building was saved and refurbished, to remain the crown jewel of Queen Street's cinema district. This clip features the first 10 minutes of the hour long film. Costa Botes writes about the film here.
Some of the great names of international rugby can be seen both playing and reminiscing in this hour long history of British and Irish Lions tours of New Zealand. 1930 Lion Harry Bowcott is the oldest player here, conceding his side were surprised by the toughness of the New Zealand style of rugby; tough like 1950 All Black captain Ron Elvidge, who came back on to crash through a tackle and score a try, despite a fractured sternum and stitches in his head. The documentary concludes with Gavin Hastings’ 1993 Lions team. It was made as a preview for the 2005 tour.
The giant, flightless moa, could stretch up to three metres tall and weighed up to 275kg. This documentary tells the story of the "mighty moa". It covers the bird's 19th Century rediscovery by English naturalist Richard Owen who surmised that the moa existed from bone evidence (leading to ‘moa mania' bone-trade); through ignition of hope that moa may still be alive when takahe (thought as dead as the dodo) were discovered in Fiordland in 1948; to digging up bird skeletons and remains of moa hunter culture in South Island swamps.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
In this 'peeping tom rom-com' Toby (Richard Falkner) gets a little carried away un-obscuring the object of his desire — SPCA worker Phoebe (Scarlet Hemmingway). His dating guru Carl (comedian Jonathan Brugh) doesn't help. The inaugural winner of the Make My Movie Feature Film Competition was made in six months for $100,000. The Wellington team behind Distance proved that you don't need a big budget and years of development to make a crowd-pleasing feature. Following successful screenings at the 2012 NZ Film Festival, it was picked up for theatrical release.
Peter Wells was an accomplished writer/director who explored gay and historical themes in his work. Among his screen credits are groundbreaking TV dramas Jewel’s Darl and A Death in the Family. Wells also created stylish feature film Desperate Remedies with co-director Stewart Main. In later years he collaborated with filmmaker Annie Goldson for documentary Georgie Girl.
Nearly two decades before Mighty Boosh comes this loopy confection. With its missing visage line "I left my face, in outer space" you know this is going to be one trippy song — and the wild and spacey video is totally in keeping with the track. There’s UFO imagery and all sorts of other mad things thrown in, including a dinosaur skeleton and a vacuum cleaner played like a guitar. And it must be one of the few music videos to feature a band member wearing a peggy squares crochet poncho. The clip won Best Music Video at the 1993 NZ Music Awards.
Peppered by colourful commentary this newsreel shows highlights of the first rugby test in the 1961 series between the French tourists and the All Blacks. Fans queue outside Eden Park, playing cards or reading Lady Chatterley's Lover. Don "the mighty boot" Clarke kicks off and the ABs score right away, but Pierre "Monsieur Drop" Albaladejo pots two field goals for a French lead. The All Blacks fight back for a 13 - 6 win to delight 60,000 locals. An intercept try escapes the camera: before live broadcast developed, action was sometimes missed while changing film.
The set has a back-drop curtain made out of milk bottle top foil; the band are wearing plastic rubbish sacks fashioned into tunics, and have painted faces. The props include a disco mirror ball, a toilet seat sculpture, a giant bug, and umbrellas. It's all slightly off-beam, but the band's performance is deadpan sweet. There’s the requisite Flying Nun film scratching, and some literal-but-amusing image and lyric matching. It all combines to make a DIY delight, an effortless two decades before Flight of the Conchords or Mighty Boosh.