Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
This badass collection features a select list of titles that were withheld from our TV screens when first made, or caused trouble in other ways. Moral offenders include heavy metal band Timberjack’s town belt satanists, Hell’s Angels bikers, and a ‘no nukes’ Spike Milligan. Also in the list is The Neville Purvis Family Show, which did manage to screen, but got in hot water after an infamous use of the ‘F' word (not included here). Other offenders include meat-is-murder music video AFFCO, and Headlights’ drunk babes at the milk bar.
Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto NZ screens in 1987 and despite winning a solid teen following, only screened for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents - though its links to US TV perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.
Peppermint Twist’s colourful, stylised portrait of 60s puberty floated onto NZ screens in 1987, winning a solid teenage following. Something of a homegrown homage to US sitcom Happy Days, Peppermint was set amongst a group of teens in small town Roseville, and made liberal use of period songs and arrangements. This episode involves mounting rivalries over a typically pressing issue: an upcoming limbo contest. Further nostalgia value is provided by real-life 60s music show host Peter Sinclair, who makes a cameo as compere of the contest.
The Elegant Shed was a six part doco series looking at NZ architecture since 1945. The influential series (and accompanying book) redefined Kiwi’s relationship to their built environment, celebrating the homespun and DIY (bach and boatshed, tramping huts, suburbia, small town main streets) as inspirations for a distinctly local architecture. Architect David Mitchell plays tour guide (replete with bohemian goatee and polyester suit), interviews key players (The Group, Ian Athfield) and surveys buildings from bespoke cribs to modernist towers.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
With dapper architect David Mitchell as tour guide, The Elegant Shed was an influential six-part series looking for the local in NZ architecture. Here Mitchell looks at ‘The Extroverts’: a group of architects who transformed Wellington in the 70s and 80s. Ian Athfield and Roger Walker are interviewed about their projects (Ath’s sprawling hillside house, Walker’s Park Mews flats). He also examines the influence of Austrian emigre Ernst Plischke (Massey House), glass verandas (Oaks Arcade), and exalts in John Scott’s iconic bi-cultural building, Futuna Chapel.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Kōrero Mai used a soap opera (Ākina) as a platform to teach conversational te reo Māori. In this fifth season opening episode, Tini (Stephanie Martin) and Quinn (Kawariki Morgan) deal with the aftermath of the previous season's climactic car crash. Presenter Piripi Taylor introduces phrases like 'Ana e tā' (yeah man!). This season of the award-winning Māori TV show had 120 episodes, screening from Monday to Wednesday, then repeated. The directors are actors Rawiri Paratene (Whale Rider) and Rachel House (Hunt for the Wilderpeople), and cinematographer Simon Raby.