Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.
The Adventure World TV series saw Sir Ed lead an A-Team of mates on a run of adventures. The concept was dreamt up by Bob Harvey, who enlisted Roger Donaldson to direct The Kaipo Wall and an (unproduced) Everest trip. Sir Ed and his climbing mate Mike Gill then went DIY and made two half hour films. This mission to climb The Needles — a rock stack off Great Barrier Island — was the first. Peter Mulgrew sails them over, Murray Jones goes parkour on the rocks and scales a kauri, Graeme Dingle surfs a dingy, and Sir Ed is the self-described “peppery co-ordinator”.
This short, written and directed by Christine Parker (Channelling Baby) takes an allegorical look at the creative process. A writer (Rima Te Wiata) has a korero with a trickster spirit guide Hinekaro (voiced by Rena Owen), and conjures worlds from the words she inks on a page. In her imaginative struggles she’s visited by a ruru owl and her younger self, and other creatures are brought strikingly to life via special effects (beetles from a book, an eel hiding in a toilet bowl). Hinekaro was adapted from a 1991 short story by Booker Prize-winner Keri Hulme.
This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.
Hooks and Feelers tells the story of a painter haunted by an accident in which her son lost a hand. Written and directed by Melanie Rodriga, the 45-minute psychological drama explores guilt and reconciliation as the family adjusts to his disability. An adaptation of the short story by future Booker Prize-winner Keri Hulme, Hooks and Feelers starred jazz singer Bridgette Allen and Keith Aberdein (Smash Palace). It screened on TV in 1984. With producer Don Reynolds, Rodriga (then known as Melanie Read) would go on to make pioneering feminist thriller Trial Run (1984).
Open Door is series where community projects team up with Morningside Productions and TV3 to tell their stories. This episode looks at Rotorua's Wingspan, where the art of falconry is being used to train, breed and rehabilitate kārearea and other birds of prey. The $20 note icon can fly at speeds over 100kph, as spectacularly demonstrated in a public show when a falcon hunts down a finch. But habitat loss, vulnerable nests and being shot at, means there are less than 8,000 falcons left — a threatened status that the Wingspan project is working at changing.
This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.
This 1962 National Film Unit short uses the relationship between Māori and manu (birds) as a platform to celebrate New Zealand bush birds — from food source and key roles in myth, to their general character. Legend of Birds was filmed on Kāpiti and Little Barrier Islands. Many of the images were captured by noted nature photographers Kenneth and Jean Bigwood, and the score is by composer Larry Pruden. The narration includes a rap-style tribute to the kākā parrot: “squarks about his indigestion, population and congestion … politics the current question”.
Long isolated, New Zealand contains a world of Alice Through the Looking Glass natural oddities: birds, insects and plants like nowhere else. Scientist Jared Diamond remarked "it is the nearest approach to life on another planet". Palaeontology (from Professor Michael Archer) and Māori myth (told by Hirini Melbourne) reveal these 'Ghosts of Gondwana'. Then cutting edge camera techniques (earning a Merit Award at 2002 International Wildlife Film Festival) delve into a night world of bat-filled tree trunk saunas, “demon grasshopper” wētā, and furry kiwi with chopstick bills.
Ash Turner is a production designer and art director with over 20 year's experience contributing to award-winning features and television dramas, plus short films, commercials and live events. His work includes design for the films Snakeskin, A Song of Good, and Planet Man, as well as award-winning TV drama Ngā Tohu: Signatures.