Ash Turner is a production designer and art director with over 20 year's experience contributing to award-winning features and television dramas, plus short films, commercials and live events. His work includes design for the films Snakeskin, A Song of Good, and Planet Man, as well as award-winning TV drama Ngā Tohu: Signatures.
From a design point of view his work was fantastic, quite mesmerising ... he really has got incredible creative flair. Vanessa Sheldrick, producer of 2001 movie Snakeskin
In this family-friendly feature, Santa (Finnish actor Kari Väänänen) does a runner to a beach in Aotearoa days before his big night of the year, fed up with bureaucracy and brats. It falls to two Kiwi kids to get him out of the southern sun, and back to global gift giving. Director Tony Simpson (Kiwi Flyer) pitches the North Pole native against Kiwi biosecurity and a bickering camping family (including Step Dave's Sia Trockenheim). Sunday Star Times critic James Croot praised the trio of writers for delivering "a rare 21st century effort that evokes the memory of the great kidult dramedies."
Director Sam Peacocke injected his love of motor racing into The Checks' first music video. Set in the 1960s, it contrasts a young Japanese driver heading out to the track with his girlfriend waiting forlornly at home. Tapping into his own racing experience, Peacocke (Manurewa) made the stylish, streamlined clip for $30,000, filming at Hobsonville air base near Auckland. Peacocke chose two newbie actors, who "outshone all the people we auditioned from actors and model agencies". The meticulous attention to period detail includes authentic Lotus 18 1.5 litre Junior racing cars.
Gary Cradle (Gareth Reeves) wants to go straight, but has to face up to a drug habit, family dysfunction, and the burden of guilt over a past sin. Gregory King's redemptive recovery yarn debuted at the Rotterdam Film Festival. King's second feature won Qantas Film and TV Awards for the best film made for under $1 million, and Ginny Loane's camerawork. Actors Reeves and Ian Mune (playing his far from supportive father) were also nominated. In February 2009 the film gained media attention after being made available to watch free online, for 24 hours.
This offbeat father and son feature was written by Scotsman Alan Sharp, and mostly filmed in the UK by a Fijian-Brit Kiwi. Lawrence of Arabia legend Peter O'Toole plays a stiff upper lip Englishman whose frosty relationship with his son warms after hearing an extraordinary tale of reincarnation from Reverend Dean Spanley (Sam Neill). Based on an Edward Plunkett novella, Toa Fraser's second feature won praise for its cast, and mix of comedy and poignancy, "intertwined to the last" (The Age). Spanley won a host of Qantas awards; GQ rated it their film of the year.
A girl is murdered and her body dumped in the forest. Nature's Way is a short film that explores the mind of a murderer who thinks he's gotten away with it. In Jane Shearer's haunting Cannes-nominated film, the dense native bush acts as witness to what the killer has done. In the absence of dialogue, Matthew (Out of the Blue) Sunderland's paranoid protagonist, sublime cinematography by award-winner Andrew Commis (The Rehearsal, Beautiful Kate) and an eerie, spare soundtrack by Rachel Shearer evoke the themes of utu at the suburban fringe.
Set in Antarctica (and partly shot there), the science fiction tale sees a researcher (Crawford Thomson) dealing with unsettling events — traumatic personal news, isolation, disquieting “anomalous electrical readings”, and warping time. As newsreader John Campbell says in an intercepted transmission: “the speed of light is changing. Well, what does that mean?”. The title is from Hone Tuwhare’s anti-nuclear themed poem of the same name, but the film was inspired by Pat Rushin short story Speed of Light. It was an official selection at Edinburgh Film Festival.
In this short a wandering flock of geese find harbour in a rainy day puddle. They give delight to Juliet, staring out the window of her state house until her axe-wielding neighbour approaches the birds with less sanguine intentions. She’s unimpressed when boyfriend Martin doesn’t act in order to avoid confrontation. When a family arrives looking for their pets, the neighbour shrugs off the enquiries, and it’s up to Martin to prove himself. Adapted from a story by Jo Sole, the Annalise Patterson-directed short was invited to Venice and Hof film festivals.
For her first feature, writer/director Gillian Ashurst wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). But the duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: praising the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including best film and cinematography.
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.
A series of farming mishaps each provoke the laconic comment — “bugger”. That was the formula behind one of New Zealand’s most iconic advertisements. Made by Saatchi and Saatchi to follow up the beloved Barry Crump/Lloyd Scott Toyota ads, and directed by Tony Williams, it attracted 120 complaints to the Advertising Standards Authority (who ruled that “bugger” was unlikely to cause serious offence). The shock value of that word, the role of Hercules the dog, and the performance of the hapless farmer (in the tradition of Fred Dagg and Footrot), made for Kiwi pop culture magic.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
In this award-winning Montana Sunday Theatre drama, Cliff Curtis plays Jim, a grungy rocker who can’t (and doesn’t want to) commit to a straight life with his misguidedly hopeful girlfriend Sina (Sarah Smuts-Kennedy). A night of emotional turmoil in the city ensues as Sina does her best to avoid the reality of her situation (as well as home invasion and Jim’s dodgy manager). Fiona Samuel's darkly funny script and top-notch casting underpin this look at the not-so-delicate nature of relationships amongst a group of Generation X Aucklanders.
A plain tale about the swollen secretions of suburban love. In middle class Auckland vulnerable passions break the surface as Laura (Meryl Main from Highwater) aggressively pursues love and acceptance, finding something very like it right next door. For director Niki Caro this one-hour drama was a watershed in her career. It was her ultimate drama production before embarking on a feature film career; it screened as part of the Montana Theatre series on TV One in 1995. Plain Tastes features Marton Csokas and Kate Harcourt. Producer Owen Hughes writes about Plain Tastes here.
"It was the beginning of the end of the world..." Award-winning actor Tim Balme (Braindead) narrates this rain-lashed tale of being trapped in a world where all the women have disappeared. The film noir stylings, Blade Runner climate and tough-talking dialogue come to the fore when Balme encounters a beautiful woman with an attitude (Balme's real-life partner Katie Wolfe), and finds desire playing tricks with his mind. Planet Man was judged best short film in the Critics' Week section of the 1996 Cannes Film Festival.
Directed by Annie Goldson (Brother Number One), this 1995 TV documentary explores the story of Cecil Holmes, who won Cold War notoriety in 1948 when he was smeared as a communist agent, while working as a director for the National Film Unit. This excerpt — the opening 10 minutes — revisits the infamous snatching of Holmes' satchel outside Parliament, his Palmerston North upbringing, war service, and the founding of the Government's National Film Unit. There are excerpts from a 1980 interview where Holmes describes his inspirations (including UK film Night Mail).
Dave Dobbyn in Concert is weighed strongly towards songs from Twist, the 1994 album that NZ Herald writer Graham Reid described as "breathtaking in its daring, ambition and reach". Dobbyn performs alongside a band which includes Twist producer Neil Finn. Although the offkilter soundscapes of the album are necessarily cut back on stage, Twist's strong musical bones remain clear. 'It Dawned on Me' showcases the curly-haired one in especially fine voice, while hit single 'Language' works wonders when stripped back to Dobbyn, Finn and twin acoustic guitars.
Bill Sevesi was the 'Godfather' of Polynesian music in New Zealand; his impact can be heard in the strum of ukeleles in classrooms across the country. In this 24-minute film Sevesi (born Wilfred Jeffs) narrates his life story, including his childhood in Tonga, making his first guitar, and his role in bringing Pacific Island music into the dance halls of 1940's and 50's New Zealand. Sevesi's bands mixed Hawaiian steel guitar with pop tunes of the day, resulting in sunny hits like 'Kissing Hula'. Watch out for uke player Sione Aleki, Tonga's answer to Jimi Hendrix.