In the early 80s the New Zealand ski industry was burgeoning. This 1983 National Film Unit production promotes the Southern Alps as a ski tourism destination — “the most exciting alpine area south of the equator”. The promo accentuates southern difference (“no trees to get in your way”), as the film tours from Ben Ohau and Tasman Glacier descents, to offseason international downhill racers at Mt Hutt, and après ski attractions. The skiing is paired with orchestral music, a classical-sport combo that director Arthur Everard also memorably used in rugby film Score.
This short documentary about freestyle skiing was directed for the NZ Tourist and Publicity Department by Sam Neill (who would shortly achieve fame as an actor). This was one of several docos directed by Neill while at the National Film Unit; other subjects included the Red Mole theatre troupe and architect Ian Athfield. The skiers put on daring displays of their 'art' in locations including Mount Hutt, Queenstown and Tongariro National Park. 70s snow-styles (and beards) abound. The film was translated into French, Japanese, Italian, German and Spanish.
This long-running reality series, made for TVNZ, follows the lives of dogs and their handlers: "fighting crime, saving lives", and helping protect New Zealand’s streets and borders. The very first episode sees the dog squad diffuse a street brawl in Manurewa, nab a runner from a crashed stolen car, and bust a visitor trying to smuggle contraband into Waikeria Prison in the Waikato. Plus avalanche rescue dogs are trained at Mt Hutt ski resort. This first Dog Squad series was produced by Cream Media (the company was taken over by Greenstone TV in 2010).
This documentary follows a Southern Alps ski competition for local and off season northern skiers. Organised by Coast to Coast impresario Robin Judkins, the ‘grand slam’ series begins with a chopper ride to Black Peak for powder 8 and telemark skiing; and then it's above Lake Wanaka for slalom, ski jumping, and a grunty "air, style and speed" mogul. Après-ski competing there's a springtime descent down Mt Taranaki. It wouldn't be Kiwi skiing without kea, and the discipline of the inner tube. The crisp sax and synth 80s score is by Hello Sailor's Dave McArtney.
This 1983 Hamish Keith-presented documentary is subtitled 'Housing New Zealand in the Twentieth Century'. Part two picks up from Michael Joseph Savage’s 1930s state housing scheme. Keith argues that as the emphasis shifted from renting to owning, middle class suburbia became the foundation of Kiwi postwar aspirations. He looks at changing demographics in the cities — as home owners fled on newly built motorways — and argues that the suburban ideal has become bland and out of reach, as New Zealand once again becomes a country of “mean streets and mansions”.
Gemma Gracewood produced arts series Frontseat over five seasons, then followed it with the ambitious New Artland. Her career has also included stints as radio producer, arts publicist, Metro film reviewer, parliamentary press secretary, and musician.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
Welsh-born James Harris played an important role in the founding of the National Film Unit in 1941. A well-educated, versatile filmmaker equally at home behind the camera, operating a splicer or wielding a pen, he spent 26 years with the NFU, mostly as a senior director. Photo credit: Archives New Zealand, reference AAQT 6401 A23,729