Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
This 1965 National Film Unit classic follows the working life of a young musterer, on a 145,000 acre South Island merino sheep station. He hands over his swag and gets to work (after he’s been mocked for bringing an electric blanket). He begins in the summer: training dogs and breaking in a horse. In the autumn it’s the muster: wrangling 10,000 sheep from the tops, across rivers and down to the yards before winter snow. Peter Newton’s 1947 musterer memoir, Wayleggo, was a local bestseller, and the film bolsters the book’s Kiwi mountain man mythology.
"For the farmers of the high country the snowline is their boundary". So begins the narration to this National Film Unit documentary. Beautifully shot by Brian Brake, the challenges of farming the vast stations on the rugged aprons of the Southern Alps are captured. The centrepiece is the great autumn muster where shepherds and dogs work 16,000 sheep down from "the tops" over 100,000 acres of peaks and glaciers, before the snow and winter blizzards arrive. "It's mutton every meal out here - we chase sheep every day and eat them every meal."
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
This New Zealand Now edition looks at working dogs. A brief look at show dogs makes way for a Timaru sheep farmer conducting six border collies to round up a mob of ewes. Elsewhere pig dogs bail up a wild boar; rabbit hunters use spaniels to flush their prey; retrievers aid pheasant and duck shooters; and off goes the hare for the greyhound to chase. The attitude to imported species (seen as game rather than as environmental pests) dates the film to an acclimatisation society era, and the close relationship between man and dog provides enduring fascination.
This excerpt from a 1986 episode of NZ TV’s longest running show comes from the heady pre-crash mid-80s when NZ farming was getting off the sheep’s back and diversifying to stay profitable in changing times. Here Robert Hall is stocking the “hard hill country” of a farm near Taumaranui with goats. Rather than hunting goats as pests, the young industry — fuelled by “large amounts of city money” — is attempting to farm them for their cashmere wool. It offers new opportunities for women in farming, but teething problems include low yields from feral animals.
This documentary comprehensively traces the history of skiing and winter sports in New Zealand. From Mannering and Dixon, who used homemade skis in an almost-successful ascent of Mt Cook and the hut-building pioneers of recreational ski clubs in their pre-Gore-tex garb, to commercial ski fields and lifts, superb archive footage shows the advances. New Zealand teams at the Winter Olympics in Oslo in 1952 and Sarajevo 32 years later had come some way from the days when carrier pigeons were used to report snow conditions from Canterbury's ski fields to Christchurch.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
The world's rarest parrot and immigrant desert "pests" feature in this Meet The Locals Conservation Week special. Presenter Nicola Toki (née Vallance) travels to Invercargill to visit rescued kākāpō chicks, before disinfecting her clothes so she can return the birds to their pest-free home on Codfish Island. Heading north, she takes to the skies to help herd Kaimanawa wild horses, which are wreaking havoc on rare plants, and joins kids on a trip to wildlife sancturary Tiritiri Matangi. The Department of Conservation and TVNZ collaborated to make the series.