This documentary tells the tenuous survivor story of the kākāpō: the nocturnal flightless green parrot with "big sideburns and Victorian gentlemen's face" (as comedian Stephen Fry put it). A sole breeding population for the evolutionary oddity (the world's largest parrot; it can live up to 120 years) is marooned on remote Codfish Island. The award-winning film had rare access to the recovery programme and its dramatic challenges. This excerpt sees a rugged journey to the island to search for a kākāpō named 'Bill', and witnesses the "bizarre ballad" of its mating boom.
With over 30 years experience in the television industry, Michael Stedman has done just about everything behind the cameras. He began as an editor and moved on to directing and producing for TVNZ. While there he produced shows such as Beauty and the Beast, University Challenge and numerous sport and news programmes. He has held senior positions at television networks in New Zealand and Australia, and is currently the Managing Director at Natural History New Zealand.
Producer/director Neil Harraway helped set up the Natural History Unit for TVNZ, which later became company NHNZ. Harraway worked for them for the next three decades, making spectacular nature documentaries including Under the Ice, Emperors of Antarctica and Journeys across Latitude 45 South. These days Harraway runs his own wildlife tourism business in Dunedin.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
Fiordland is the jewel in the Te Wahipounamu South West New Zealand UNESCO World Heritage Site, a status underpinned by primeval scenery and a reputation as one of the world’s great wilderness areas. This film explores the symmetries of life above and below the fiords, where water cascades from mountain peaks and rainforest, into the black depths of ice age carved valleys. Award-winning photography reveals the mirror world: kea, mohua, fur seals, bottlenose dolphins, and an underwater phantasmagoria of starfish, ancient black coral forests and sea pens.
Peter Hayden travels through some of New Zealand's most awe-inspiring environments in this five part series, made to celebrate the centenary of our first national park. This episode looks at the national park closest to our largest city and contemplates that relationship, featuring stories of life on the islands of the Hauraki Gulf. A highlight is the transfer of the rare saddleback or tieke (a lively wattlebird) from Cuvier Island to the ecological time-capsule of Little Barrier Island — "with Auckland's lights twinkling in the background". Catherine Bisley writes about the Journeys series here.
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
This final installment of Hayden’s traverse across latitude 45 finds him in the ice-sculpted isolation of Fiordland. In this episode he travels through diverse flora (lush and verdant thanks to astonishingly high rainfall); and with botanist Dr Brian Molloy follows the footsteps of early bird conservationist Richard Henry. Mohua (yellowhead), takahe, weka and tiny rock wrens feature in the fauna camp. Reaching the sea, the underworld depths of George Sound house a world teeming with abundant life.
Central Otago’s broad, dry landscape is dominated by an extreme climate; it is scarred by wind, ice and industry. Deep mining shafts and long rusted sluicing guns pepper this second stage of Peter Hayden’s traverse across latitude 45 south. He visits the quartz covered Mt Buster, NZ’s highest diggings, where unseasonal blizzards often claimed miners’ lives. The layout of Naseby’s graveyard yields information on the hierarchy of the goldfields. The flora includes mountain totara, carnivorous sundews and a heather variety that grows horizontally. Hayden won a GOFTA award for his script.
This award-winning film looks at the strange and ethereal world of New Zealand's limestone areas. The rocks and caves reveal ancient whale fossils, moa hunter art — and evolutionary one-offs (like giant carnivorous snails) that live in a limestone world. The film goes into the darkness to find glow-worms, cave wētā, albino crayfish and skeletons of moa who met their death falling down tomos (shafts). In underground cathedrals, exquisite formations formed by the alchemy of water and limestone are captured. There is also footage of Waitomo Caves and Te Waikoropupu Springs.