Jeremy Wells brings Kenneth Cumberland-seque authority to this 'alternative' version of New Zealand history, made by the same team that produced Eating Media Lunch. TUHONZ plumbs the TV and historical archives to poke fun at the pretence of the past (and present). This episode examines artefacts to do with sex and Aotearoa. With tongue planted in check (and elsewhere) Wells revisits everything from pole-dancing in the "hellhole of the Pacific" - colonial Russell; to randy Hutt Valley teenagers "getting laid" in the 50s.
Jeremy Wells brings Kenneth Cumberland-esque authority to this 'alternative' version of New Zealand history, made by the same team that produced Eating Media Lunch. TUHONZ plumbs the TV archives to poke fun at the pretence of the past, and present. Some excruciating hilarity is mined from artifacts of visitation to southern shores, from Bill Clinton to the Beatles. Muhammad Ali's fast food tastes down under are examined; the Dalai Lama finds bad karma in Christchurch; Charles and Diana visit in 1981; and of course, much mirth is had with all things ovine.
In this satire series presenter Jeremy Wells — channelling Kenneth B Cumberland (of Landmarks fame) — examines NZ history in a mock-revisionist manner, poking fun at the pretence of the past. From the makers of Eating Media Lunch, the show is self-described as “the most important series in the history of history”. Each episode tackles the big issues, including ‘Crime’, ‘Visitors’, ‘Trouble’ and ‘Evil’. The show draws its material mostly from television archive basements, with the odd piece of fakery and animation thrown in. Michael King this defiantly ain't!
Savouring the chance to demonstrate that Kiwi cinema is about far more than the usual suspects found on so many top 10 lists, critic Tim Wong provides his own angle on the topic in this film, narrated by Luminaries author and occasional actor Eleanor Catton. Ranging widely — from experimental works, to an often forgotten contender for first Kiwi horror movie — Out of the Mist marked the first of three essay films aiming to “advocate for art on the margins”. Director Wong founded film and arts website The Lumière Reader in 2004.
With over 30 years experience in the television industry, Michael Stedman has done just about everything behind the cameras. He began as an editor and moved on to directing and producing for TVNZ. While there he produced shows such as Beauty and the Beast, University Challenge and numerous sport and news programmes. He has held senior positions at television networks in New Zealand and Australia, and is currently the Managing Director at Natural History New Zealand.
John Milligan is an award-winning producer, director and writer who has worked on a wide range of shows for television. His many series credits include Maggie’s Garden Show, Epitaph, Shipwreck and Mucking In. Milligan was also producer and director of the documentaries Trio at the Top, New Zild and Von Tempsky’s Ghost.
In the mid 1970s the Chatham Island black robin was the world's rarest bird. With only two females left, the ante for a conservation rescue story would be hard to up. Enter saviour Don Merton and his Wildlife Service team. Their pioneering efforts included abseiling the precious birds down cliff faces, and left-field libido spurs for the talismanic 'Eve' of her species: Old Blue. This classic Wild South edition united three award-winning films that were foundational for the Natural History Unit (now NHNZ): Seven Black Robins, The Robin's Return, and Black Robin.
In this series celebrating New Zealand's national parks, Peter Hayden travels through some of Aotearoa's most awe-inspiring environments. This episode — looking at the unique spiritual relationship between the Tūhoe people, and the birds and bush of Te Urewera National Park — was directed by Barry Barclay (Ngati). Barclay used his fourth cinema philosophy of indigenous filmmaking, "to tell the contemporary story of the park through their [Tūhoe] eyes". The film attracted controversy for its then exceptional use of te reo. Catherine Bisley writes about the Journeys series here.
This film tells the story of the world’s rarest wading bird, the black stilt (kakī). With its precise beak and long pink legs the stilt is superbly adapted to the stony braided riverbeads of the McKenzie Country, but it is tragically unable to deal with new threats (rats, ferrets, habitat loss). An early doco for TVNZ’s Natural History Unit, the magnificently filmed drama of the stilt’s struggle for survival makes it “stand out as a classic of its genre” (Russell Campbell). It won the Gold Award at New York’s International Film & TV Festival (1984).
Long isolated, New Zealand contains a world of Alice Through the Looking Glass natural oddities: birds, insects and plants like nowhere else. Scientist Jared Diamond remarked "it is the nearest approach to life on another planet". Palaeontology (from Professor Michael Archer) and Māori myth (told by Hirini Melbourne) reveal these 'Ghosts of Gondwana'. Then cutting edge camera techniques (earning a Merit Award at 2002 International Wildlife Film Festival) delve into a night world of bat-filled tree trunk saunas, “demon grasshopper” weta, and furry kiwi with chopstick bills.