This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.

This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.

New Zealand Mirror was a National Film Unit 'magazine-film' series aimed at showcasing NZ to a British market. A clock collector from Whangarei is a quirky choice to open this edition of Kiwi reflections — his display includes a clock that goes backwards. The ensuing segments are more in keeping with Maoriland and Shaky Isles postcard expectations: The annual Ngāruawāhia waka regatta includes novelty canoe hurdle races. And there are dramatic shots of 6000ft high “cauliflower clouds” from Ruapehu’s 1945 eruption and of the crater lake turned to seething lava.

This post war newsreel features footage of Māori Battalion solders returning from WWII onboard the ship Dominion Monarch, into Wellington Harbour. The soldiers are greeted with a huge pōwhiri and ensuing hākari at Aotea Quay where the kaimoana and pia flow freely. The reel then follows the regional celebrations of men returning home in Kuku and Ngaruawahia. The narrator soberly recalls the casualty rate of the Māori Battalion (five men in seven). This footage features in the documentary, Maori Battalion - March to Victory.

Tangata Whenua was a groundbreaking six-part series from 1974, on Māori. Barry Barclay directed, and historian Michael King was writer and interviewer. Each episode (remarkably screening in primetime on Sunday nights) chronicled a different iwi and included interviews with kaumātua — a first for New Zealand screens. This episode looks at the people of Waikato, and focuses on the Kīngitanga (Māori King Movement), examining why a movement formed in the Waikato in the 19th century to halt land sales and promote Māori authority has contemporary relevance.

The line “where the bloody hell are you?” generated controversy when used in a 2006 Aussie tourism campaign; so who knows what 1980 audiences made of this promo’s exhortation to “Come on to New Zealand.” But as the narration assures: “It’s a safe country. You can walk without being molested.” Aimed at the US market, the film was made as long haul air travel was opening up NZ as a destination. Māori culture, sheep and pretty scenery are highlighted, alongside skinny dipping and weaving (!). Narrated by Bob Parker, the NFU promo marked an early gig for editor Annie Collins.

At 101 Arthur Asher offers a remarkable account of his experiences in World War II. Dates and events come easily to mind as he narrates his time in the North African desert war and Greece. Caught up in the gruelling battle at Bel Hamid near Tobruk, Asher was later wounded by an exploding mine. A stay in a convalescent camp felt more like being in prison to Asher, who went on to fight the German advance in Greece, shooting down a spotter plane in the process. Back in North Africa, he was hit by a car, ending his war with a broken leg and jaw. Asher died on 19 May 2017.

This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One and challenged the view that white male statesmen were the only noteworthy figures in NZ colonial history.

This National Film Unit documentary records the 18-month-long building process of a waka taua (war canoe): from the felling of the trees — opening with an awe-inspiring shot of the giant totara selected by master carver Piri Poutapu — to the ceremonial launch. The waka was commissioned by Māori Queen, Te Arikinui Dame Te Atairangikaahu, and built at Tūrangawaewae Marae. The Harry Dansey-narrated film was significant in showing the importance of the canoe-building kaupapa alongside the everyday lives of the workers (at the freezing works, the pub).

The Governor was a six-part TV epic that examined the life of Governor George Grey (Corin Redgrave). This episode arguably best lived up to the blockbuster scale and revisionist ambitions of the series. It depicts key battles of the 1863-64 Waikato Campaign (including ‘Rewi’s last stand’ at Ōrākau). General Sir Duncan Cameron (Martyn Sanderson) feels growing unease following Grey’s orders to evict Māori villagers, as he learns respect for his foe, and that Grey’s motives are driven not just by the urge to impose order on ‘the natives’ but by hunger for land.