Parliament’s art collection is showcased in this excerpt from the mid 90s arts series. Curator Jane Vial and Parliamentary Services Deputy Manager Beth Bowen are tour guides to some of the paintings and objects making up a then 1000 strong collection, which began in the 1870s. They include gifted works, like a portrait of the first Northern Māori MP Ihaka Te Tai Hakuene, and commissioned works from artists. Artworks are shown from John Drawbridge, Cliff Whiting, Robin Kahukiwa, and Guy Ngan (whose large-scale hangings adorn The Beehive’s Banquet Hall).
In 1972, Norman Kirk broke National’s 12-year grip on power and became Labour’s first New Zealand-born Prime Minister. Two years later, our 29th PM was dead at just 51. He had become one of the country’s most-loved leaders. As his body lay in state near the steps of Parliament, a kaumatua cried ‘...
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in his introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).
"So the Queen comes to New Zealand. 12,000 miles from the motherland she is not among strangers. She has come to her New Zealand home." When the Queen and Prince Philip began the first tour of NZ by a reigning monarch (soon after her coronation), a National Film Unit crew followed the journey, before condensing 40 days and 46 stops into a mere 25 minutes. Along the way the newly crowned Queen wears her coronation gown to open Parliament, and witnesses geysers, long-jumpers, Māori canoes, plus masses of enthused Dunedinites refusing to keep behind the barrier.
Georgina Beyer was the first transgendered person in the world to be elected to national office. This internationally lauded documentary, by Annie Goldson and Peter Wells, tells the story of Beyer's extraordinary and inspiring journey from sex worker to Member of Parliament for rural Wairarapa and handshakes with the Queen. Born George Bertrand, Georgina grew up on a Taranaki farm, before spreading her wings on the Auckland cabaret circuit. Subsequent events led her to the town of Carterton, where she became involved in local body, and then national, politics.
Rock’s wild man hits Wellington (and unfortunate bystander Rosie Langley) in this lip-synched version of 1979 single 'I’m Bored'. Filmed by a Radio with Pictures crew when Iggy Pop made a promotional visit to New Zealand, the clip shows the legendary singer acting up around Parliament, and at a pub reception attended by local media personalities (Roger Gascoigne among them). It’s an uncomfortable experience for some as Iggy pulls all his stage moves among the straight-faced (and partly straight-laced) crowd. The trip downunder was to promote his third solo album New Values.
Filmed in 2002, this documentary observes a group of people living on the streets of Wellington. After being moved on from Cuba Mall, the group makes their home by the Cenotaph (near Parliament) and sets up a "village of peace". Led by the dreadlocked 'Brother' they attempt to gain an audience with the government; their self-proclaimed marae provokes police, public, politicians and media. Reviewer Graeme Tuckett called the film a "landmark in New Zealand documentary making". Brother (aka Ben Hana) later gained a local profile as Courtenay Place's 'Blanket Man'.