Best known for his many decades in radio, Peter Harcourt's career also included books and varied screen appearances. In the 60s he and his wife Kate Harcourt fronted Junior Magazine, one of our earliest children’s TV shows. Peter went on to act on Gloss and present the Mobil Song Quest, though his most famous screen appearance runs just 21 seconds – a 60s era underwear ad which was originally rejected as too risque to screen.
In this episode of the archive-compiled history series, Bernard Kearns focuses on the Roaring Twenties. Soldiers returning from the First World War struggle to tame the land as commodity prices fall. The Labour Party, with miners as its backbone, gains a foothold on the political scene, and the Ratana Church emerges as an alternative to more distant Māori leaders. In Dunedin, the New Zealand and South Seas International Exhibition proves a huge success and members of the Royal Family are popular visitors to our shores. But the Great Depression looms.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a trio of young Wellingtonions drawn together by a mysterious invitation. At an antique shop dinner they discover they share a colourful birth mother, before becoming players in a game for a legacy of $250,000. Conceived by Brian Bell, Seekers was one of a series of teen-orientated dramas made in the mid-80s (along with Heroes and Peppermint Twist). The 16 episodes screened from February 1986.
After being spotted performing for tourists in Rotorua, 11-year-old Temuera Morrison was given his very first starring role in this British TV series, shot downunder by expat Kiwi director Michael Forlong. In this clip, Rangi (Morrison) and co have adventures with sharks, crayfish and a stranded sheep near their remote South Island farm. Meanwhile two robbers (Ian Mune and Michael Woolf) sneak into the house. The scene is set for crims and and children to chase each other all the way to Rotorua. The series was seen in New Zealand cinemas in a shortened movie version.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
This Wellington-set 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a young trio united by a mysterious invitation. At an antique shop dinner the three adopted children discover that they share a colourful birth mother, before becoming players in a game for a legacy of $250,000 (and more existential prizes). This first episode features ouija boards and a funeral at Futuna Chapel; alongside 80s knitwear, a saxophone score and du jour animated titles.
Actor Miranda Harcourt directs an ode to her broadcaster father Peter in this short documentary. The film emerges from vocal chords (via an endoscope) and uses the tools of her father’s trade as a starting point for a free-ranging meditation on repression, shell shock and family ghosts. Peter’s wartime job involved vetting messages home from the troops to check that the soldier hadn’t been killed. Post-war, Peter was dumb-struck for a year, at a time when people didn’t “talk about their deeper feelings”. Voiceover won Best Short at the 1997 NZ Film and TV Awards.
"Ever wondered what the well-dressed man wears next to his skin?" In this early 60s advertisement, the bloke is a businessman — played by 30-something Peter Harcourt — and the answer is tighty whities, aka Jockey undies. An era of selfies and Dan Carter Jockey billboards was decades away, and originally the Pacific Films-made ad was rejected for television screening, before later being passed on appeal. Harcourt acted regularly in Wellington theatre; his wife was actor Kate Harcourt, and he fathered actor Miranda and journalist Gordon.