The Feltex-winning series Pioneer Women dramatised the lives of groundbreaking New Zealand women. This episode looks at the story of controversial safe-sex campaigner Ettie Rout. In World War I she travelled to Egypt to care for Kiwi soldiers; there she found venereal disease was rife, and recommended that prophylactic kits be issued and that brothels be inspected for hygiene. To the establishment her pioneering ideas on health, sex and gender were ‘immoral’ and received with hostility; while the RSA and some doctors considered her a “guardian angel of the ANZACs”.
Planning and preparing dinner becomes a sweaty ordeal in the second episode of reality show/'social experiment', Pioneer House. The family have moved into 2 Elgin St and are dealing with the hands-on chores involved in running a typical lower middle class household in 1900. The summer heat makes a trip to the shops clad in corsets and petticoats "like running a marathon", and 17 year old Anneke feels stifled by the restrictions placed on young women of the day. On the plus side, Michael appreciates the extra 'family time' this new/old life is giving him.
This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One, and challenged the view that white male statesmen were the only noteworthy figures in New Zealand colonial history.
This episode in the Pioneer Women series dramatised the story of Hera Ngoungou. In 1874 in Taranaki, Māori kidnapped an eight-year-old Pākehā girl — Caroline “Queenie” Perrett — possibly in retribution for her father breaking a tapu. Her family didn’t see her again until she was 60, when she was a grandmother and had spent more than 50 years living with, and identifying as, Māori. A moving (Feltex award-winning) performance from Ginette McDonald (aka Lyn of Tawa) mixes stoicism with an acknowledgement of good times and a sense of loss for what might have been.
In the first episode of this reality series, groundwork is done to allow a 21st century family to live for 10 weeks as their ancestors did in 1900. The right house has been found — but the largely unmodernised Grey Lynn worker's cottage still needs an army of workers and consultants to muck in and turn it into a fully functioning home of the era. Meanwhile, the family search has produced the Feyens from Palmerston North. They appear ready for the challenge, but the realities of different standards of housework, hygiene, and clothing are slowly dawning.
The third part of this NFU series on aviation in New Zealand jets off post-World War II, where wartime aircraft and crew provided a base for the National Airways Corporation (later Air New Zealand). The romance of travelling via flying boat made way for mass global air travel; and NZ tourism and airports rapidly became more sophisticated. Presenter Peter Clements looks at how the NZ environment spurred innovation (ski planes, top-dressing, heli deer hunting), and traces the lineage of contemporary garage aircraft makers to DIY first flyers like Richard Pearse.
In this fascinating social experiment, a 21st century Kiwi family is transported back in time to live as a typical family would have — 100 years ago. Their house and garden is restored to its 1900 state with electrical fittings, modern plumbing and all traces of modern living removed. The family have to deal with the challenges of turn of the last century manners, dress, morals, work and a lack of conveniences (including a regular outside trip to the long drop toilet). Based on a UK format, the series was followed in New Zealand by Colonial House (2003).
The award-winning Pioneer Women series was producer Pamela Meekings-Stewart’s response to her perception that histories on NZ television, like The Governor, hadn’t adequately recognised the role played by women in shaping the nation. The initial series of six episodes focussed on the lives of Nurse Maude, Ettie Rout, Hera Ngoungou, Princess Te Puea, Elizabeth Colsenso and Ellen Hewett; it celebrated women who not only had to face hardship and deprivation but were charged with raising the next generation. A second series of three episodes screened in 1990.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Christopher Bourn is the pioneering entertainment producer best known for his work on the classic talent series Studio One. He has also worked as a sports director, and on a range of other early TV shows. His legacy of live TV broadcasts includes directing the first ever All Black rugby test to be broadcast on television, as well as the boxing at the 1974 Commonwealth Games; and serving as New Zealand producer for international co-production The Pacific Song Contest.