The HeART of the Matter looks at major changes in New Zealand teaching which began after World War ll. A group of bureaucrats and arts specialists set about introducing a "thoroughly bicultural and arts-centred education system" to schools — in contrast to the rote learning of the past. Combining interviews and archival footage, Luit and Jan Bieringa (The Man in the Hat) examine this period of radical educational reform, and ask what lessons can be applied to the present. In the excerpts above, pupils and teachers reminisce about their time in the classroom.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
In the early 1960s two North Island schools — Oruaiti and Hay Park — experimented with an innovative method of practical education. This episode of Survey sees principal Elwyn Richardson revisiting Oruaiti, and reminiscing on how the two schools functioned. He offers his views on traditional textbook learning — the more “American” system, as he calls it. Ex students reflect on their time at the school, and how an education based on arts, building and play shaped the people they’ve become. Modern schooling in Aotearoa now follows the example set in those early days.
Rob Sarkies made his first film at age 10. His feature debut was 1999 hit Scarfies, followed by Out of the Blue, an acclaimed dramatisation of the Aramoana murders. Sarkies followed it with TV's This is Not My Life and black comedy Two Little Boys, based on a novel by his brother Duncan. Since then he has directed Moa-nominated TV movie Consent, and multi award-winning Jean Batten biopic Jean.
Tim Prebble is an alchemist of sound, adept at combining audio from many sources to evoke mood and emotion. His work has enhanced everything from feature films to television drama series, shorts, and documentaries. The common thread in his output is a deep sensitivity to theme and story.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
If director and producer Peter Coates was a superhero, he’d surely be ‘Renaissance Man’. His contribution to championing the arts on television is arguably heroic, and his career multi-faceted. From 1971 to 2004 Coates produced, directed or scripted hundreds of TV productions covering a smorgasbord of topics, from operas to soap operas, and from portraits of New Zealand artists to rugby coaching films.
Aileen O’Sullivan has helmed drama and documentary for a wide range of mediums. Her first screen job was an acting role in The Governor. After directing on Gloss and The Billy T James Show, O'Sullivan set up her production company, Seannachie Productions. She is a passionate advocate for telling NZ stories; her subjects have included writers Witi Ihimaera and Ngaio Marsh, and dance troupe Black Grace.
Anthony Stones worked in design for NZ television for over 20 years, with credits ranging from drama to current affairs. After five years as TV2's head of design, he returned to his English birthplace in 1983. Outside of television, Stones made well-known public sculptures in Aotearoa, the UK and China; he died in China in September 2016, aged 82. Image credit: Photo taken and supplied by Dave Roberts
A meticulous, unflappable producer and director, John Lye’s career spanned three decades – most of it spent with TVNZ in Christchurch and Avalon. Lye did time as a cameraman and floor manager. Later he commanded two major productions of the 1980s — That’s Country and McPhail and Gadsby. After leaving TVNZ in 2000, he helped launch Big Brother Australia and live broadcasts of New Zealand Parliament.