Tim Prebble is an alchemist of sound, adept at combining audio from many sources to evoke mood and emotion. His work has enhanced everything from feature films to television drama series, shorts, and documentaries. The common thread in his output is a deep sensitivity to theme and story.
For me ‘good’ sound occurs when it is invisible, you do not notice it. But ‘great’ sound is when that same process occurs and yet sound is making a significant contribution. Tim Prebble
Writer/director Tusi Tamasese won multiple awards for his first feature, Samoan drama The Orator - O Le Tulafale. This New Zealand-set follow-up involves a Samoan father whose daughter Ilisa (Shortland Street's Frankie Adams) returns home, pregnant and badly beaten. Uelese Petaia (star of Albert Wendt adaptation Sons for the Return Home) is the boxer turned baker, in a tale of family, redemption and revenge. One Thousand Ropes debuted in the Panorama section of the 2017 Berlin Film Festival. The clip captures the recording of the movie's soundtrack in a Wellington chapel.
In writer/director Max Currie’s debut feature, a magician conjures his greatest illusion – a little boy – to try to help return happiness to his wife and family after the loss of their son. But the trick falls apart when a child abduction hunt closes in on them. Everything We Loved was funded through the NZ Film Commission’s Escalator film scheme, and produced by Tom Hern (The Dark Horse, I’m Not Harry Jenson) and Luke Robinson. It was chosen for the ‘New Voices/New Visions’ section of the Palm Springs Film Festival and premieres locally at the 2014 International Film Festival.
Paul Wolffram's film melds sounds from noted musicians Richard Nunns and Horomona Horo, recorded in spectacular locations around New Zealand, to demonstrate that the sounds of the natural world are a form of music too. Nunns is a renowned expert in taonga pūoro - traditional Māori instruments like wood and bone flutes. Debuting at the 2014 Wellington Film Festival, Voices of the Land pays tribute to Nunn's role in their revival, while Wolffram's powerhouse creative team use image and sound to show ways "landscape and the voices of the land can be heard".
As a bitter civil war tears apart the lives of his students, an isolated English school teacher in Bougainville (House star Hugh Laurie) finds a unique way to create hope; 14-year-old Matilda (Xzannjah Matsi) is enthralled by his Charles Dickens-infused disaster survival lessons. The life during wartime tale was directed by Kiwi Andrew Adamson (Shrek), and adapted from the 2006 Booker Prize short-listed novel by Lloyd Jones. Adamson spent time in Papua New Guinea, as the teen son of missionary parents. Laurie and Matsi won best actor gongs at the 2013 Moa Awards.
To create award-winning A Year on Ice Antarctic photographer Anthony Powell spent 10 years (and nine winters) clocking the continent on camera: from the 24-hour darkness of winter to desolate, stunning polar vistas (blazing aurora, freezing ice storms) and the creatures and humans who are based there. Time-lapse imagery — Powell’s speciality — evokes the ever-changing patterns of polar life. Powell’s images have screened on National Geographic, Discovery and in BBC’s Frozen Planet. A Year on Ice has inspired awe and acclaim at film festivals worldwide.
Tusi Tamasese’s first feature tells the story of a taro farmer (played by real life farmer Fa’afiaula Sagote) who finds the courage to stand tall for his family and culture, and stand up to sceptical villagers. Variety called it “compelling drama”. Though previous films (e.g. Flying Fox on a Freedom Tree) had told stories inspired by Samoan writers, The Orator was the first feature written and directed by a Samoan — and the first filmed in Samoan. When it debuted in September 2011 at the prestigious Venice Film Festival, it won a special jury mention in the Orizzonti (New Horizons) section.
Director Paul Murphy follows Second Hand Wedding with a romance featuring comedian Rhys Darby, songs by Queen and ... a duck. Darby plays heartbroken nice guy Doug: after a close encounter with a native duck (a paradise shelduck) with emotional problems, he enlists expert help from a sassy animal specialist (played by Brit Sally Hawkins, a Golden Globe-winner for feature Happy-Go-Lucky). True to rom-com form, love ensues ... eventually. NZ Herald reviewer Russell Baillie called Love Birds “an endearingly funny, if sugar-coated local romantic comedy”.
Actor Madeleine Sami transforms into five very different Aucklanders in this Taika Waititi directed comedy series. Cheerleader Pasha is desperate to hang on to her youth; Linda tries too hard with her middle-aged clique; Azeem the Iranian taxi driver is obsessed with Māori culture; homeless Georgie makes a shock discovery, and gym instructor Jo secretly loves a female colleague. Rachel House, Rose McIver and Antonia Prebble appear in this series opener. Super City creator Sami (The Breaker Upperers) co-wrote the scripts, and won an Aotearoa award for Best Actress.
This short film presents Dave, a tramper at a South Island high country tarn, with a chance to make his mark on the map. But will the stars (and satellites) align to realise his ingenious idea? Made by director and editor Rajneel Singh, Blank Spaces was one of five finalists in 'Your Big Break': a 2010 filmmaking contest run by Tourism New Zealand that gave the finalists a chance to have their script realised with the help of producer Barrie Osborne (The Matrix, The Lord of the Rings). The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
A tale of infuriating fathers and very fast go-karts, The Hopes and Dreams of Gazza Snell marks Robyn Malcolm’s first leading role on film. Malcolm plays Gail, long-suffering wife to the charming, ambitious Gazza Snell. Obsessed with go-karting, Gazza has banked heavily on the hope his sons’ racing talents will result in motorsport glory. But Gail is unconvinced. Australian talent William McInnes (Unfinished Sky, SeaChange) plays Gazza; the script is by Insiders Guide to Happiness award-winners David Brechin-Smith and Brendan Donovan (who also directs).
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
Home by Christmas sees Gaylene Preston returning to the hidden stories of ordinary New Zealanders. Inspired by attempts to get her father Ed to reveal his WWII experiences, this finely-balanced docu-drama moves between three strands: Preston’s father (Goodbye Pork Pie's Tony Barry, in a Qantas award-winning performance) retelling his story; recreations of Ed’s wartime OE; and life for the woman he left behind in Greymouth. The dream cast sees Preston’s own daughter Chelsie Preston Crayford playing Preston's mother Tui, alongside Martin Henderson.
Writer Stephen Sinclair’s feature directing debut was inspired by a Russian couple who sailed to Aotearoa in a lifeboat. From there, he created this witty and unusual love story about Mischa (Stephen Papps) — an uncompromising filmmaker fallen on hard times — and his wife, looking for a country more appreciative of his art. But Mischa also has to reconcile his art with his humanity — with help from his neighbour (Stephanie Tauevihi, in an award-winning performance). The 15 minute making of documentary offers a cautionary tale for creatives looking to work with poultry.
Taro planter Lui’s grief for his dead wife is blighting his life and crops. A widow, Malia, is bound by anger to the grave of her abusive husband, as the rising sea slowly drowns it. When Lui and Malia meet by chance, he’s provided with a path from his hurt. Filmed in Samoan on the island of Upolu, and directed by Samoan-born Tusi Tamasese, the short is a fable-like meditation on communion, cooking and sacred places. It was selected for the Clermont-Ferrand and Hawaii film festivals, and was the precursor to Tamasese’s Venice-selected debut feature, The Orator.
Maurice Gee's classic novel about aliens running amok under Auckland has rarely gone out of print, since its debut in 1979. First adapted as a memorable 80s TV series, this movie retooling sees teenage twins Theo and Rachel stumbling across shape-shifting creatures that are hiding beneath Auckland's extinct volcanoes. American showbiz magazine Variety praised Black Sheep director Jonathan King's "solid helming", and the excellent acting of Sam Neill as the mysterious Mr Jones. Oliver Driver plays lead villain Mr Wilberforce, under four hours of make-up.
The second feature film directed by writer Anthony McCarten (Ladies' Night) is a small tale with some big themes. Set in a New Plymouth car yard, the film chronicles an endurance contest in which a car will be awarded to the person who manages to keep their hands on it the longest. As night falls, solo mother Jess (Melanie Lynskey) finds herself fending off the attentions of an obstinate competitor (Craig Hall), with a much harsher vision of the world than hers. Inspired by similar real-life contests, McCarten based the film on his novel Endurance.
Ricky is shy and has an overbearing father. He and extroverted misfit Telly (Chelsie Preston Crayford) slip out into the night, commandeering Ricky's father's fishing boat and heading out into the freedom of the fog. Peter Salmon's short film highlights oppression, boredom and sex in a small New Zealand town. Fog was shot in Ngawi, an isolated fishing village on the Wairarapa coastline. It was invited to 20 international film festivals, including the Critics' Week section at Cannes. At the 2007 NZ Screen Awards, Chelsie Preston Crayford was awarded for Best Performance in a Short Film.
A mutant lamb escapes from the lab after dodgy genetic experiments, and herds of sheep are turned into bloodthirsty predators. Three hapless humans are stranded on the farm as the woolly nightmare develops. They discover a bite from an infected sheep has an alarming effect on those bitten. With his first feature, director Jonathan King (Under the Mountain) provides splatter thrills and attacks a few sacred cows. Black Sheep was invited to 20+ international festivals, where it scored acclaim and multiple awards. The interviews include King, Weta's Richard Taylor, and the cast.
This Simmonds Brothers short zips through five generations of their family history, from Croatia to the Kapiti Coast, plus a shipwreck near Auckland. Described as a 'documation', the voices of yarning family members are married to their cartoon likenesses, to comic and ultimately moving effect. The film opens with Mariano and Elizabeth Vella's great great granddaughter and moves to a dramatic re-enactment of the Dalmatian settlers' so-called "very nice honeymoon" on the steamer SS Wairarapa, when it was wrecked off Great Barrier Island in 1894 (131 people died).
During WWII the Post Office photographed letters, enabling mass mailing to soldiers via rolls of film. Post Office worker Ngaire (Yvette Reid) deals with mail for soldiers serving overseas. On this small, handsomely-framed canvas, writer-director Paolo Rotondo explores how war and distance affect relationships. Dead Letters makes a persuasive case that the memories preserved in words and film contain their own magic, even when that magic is tinged with sadness and death. It won best short screenplay at the 2006 New Zealand Screen Awards.
Nanna Maria (Ruby Dee), the matriarch of a Fijian family in Auckland, feels that the heart has gone out of her clan. She demands that her grown grandchildren put on a traditional feast, at which she will name her successor. The grandchildren reluctantly turn up, but tiffs spin things into chaos and she calls the whole thing off. Based on his second play, this love letter to the suburb of Mt Roskill marked the first film for director Toa Fraser (Dean Spanley). It screened at many festivals internationally, and won the 2006 World Cinema audience award at American festival Sundance.
Set in gritty backstreets somewhere in downtown Auckland, this short film follows the vicissitudes of Evan, a teenager whose life changes when he skips school and meets a beautiful and troubled stranger. Directed by Michael Duignan (A New Way Home) and produced by Rachel Gardner (Apron Strings, A Show of Hands), Truant is a convincing portrayal of that potent mixture of curiosity and desperation peculiar to adolescence. Truant screened at a number of festivals including the prestigious short film festival in Clermont-Ferrand, France, and the London Film Festival.
Inspired by the ageing Burt Munro — who took his home-engineered motorbike to America, and won a land speed record — this passion project was Roger Donaldson's first locally made film in two decades. Variety called it a "geriatric Rocky on wheels”; Roger Ebert praised Anthony Hopkins' performance as one of the most endearing of his career. The result sold to 126 countries, spent five weeks in the Australian top six, and became Aotearoa's highest-grossing local film — at least until Boy in 2010. Alongside an excerpt and making of material, Costa Botes writes about the film here.
Set in a small New Zealand town, Closer is the story of a deaf teenage boy trying to come to terms with the death of his older sister. An emotionally locked-down father who has limited knowledge of sign language compounds his struggle. Written and directed by David Rittey (We The Living), and co-written by poet Therese Lloyd, Closer is a moving portrayal of the power and complexity of silence. Closer won Best Short Film and Best Performance at the 2005 NZ Screen Awards, and was selected to compete for the top short film prize at the Cannes Film Festival.
Solo mum Leeanne Rosser (Jean's Kate Elliott) is rejected by her Christian mother. She tries to stay close to her brother Brent (Jared Turner), unaware of his secret life as a thief. One day a burglary goes wrong, and a woman is badly injured. The incident causes repercussions for all the members of the two families, and relationships begin to fracture. Based on Maurice Gee's novel Crime Story, Fracture was the second feature directed by Larry Parr. Its release was delayed by the collapse of Parr's company Kahukura in 2002. The Press called Fracture "competent, confident and complex".
Procrastination and denial taken to absurd lengths hammer home a point about global warming in this technically ambitious black comedy. A family living in a gully are too wrapped up in their own worlds to heed impending doom. Daughter Mary (seven-year-old Paige Shand-Haami) is the only one who sees the future. Water was shot over 14 days — with cast and crew spending 10 of them waist deep in water — on a set in a Wellington swimming pool. It was directed by Chris Graham, and partly funded from a SPADA Young Filmmaker Award won by producer Karl Zohrab.
New Zealand's so-called 'cinema of unease' is stretched in new directions in this psychological drama, inspired by real-life interviews with criminals and victim's families. Writer/director Stuart McKenzie's feature debut follows Lisa (Michelle Langstone), a young woman haunted by the rape and murder of a former teenage acquaintance. Lisa's fascination leads her to the victim's parents - and to prison, to interview the charismatic killer (Tim Balme). The result is an intelligent examination of the after effects of violent crime. Shayne Carter provides the soundtrack.
One night in a West Coast pub, Melanie (Australian actor Rachel Blake) meets a handsome stranger (Sam Neill) and accepts his invitation to go back to his place. When they board his boat she discovers it is further than she thought (a shack on a deserted island). Once they arrive he treats her like a princess. However it slowly dawns on her that she's been kidnapped. Terrified, she also knows that he's her only way off the island. As events play out in Gaylene Preston's twisted thriller, Melanie's feelings change from anger and fear — to desire.
Twenty three years after Foreskin's Lament became a Kiwi cause célèbre, writer Greg McGee brought his classic play to television. Skin and Bone "asset strips" and updates the story to reflect rugby (and society's) evolution. Here Seymour (Outrageous Fortune's Antony Starr) — falteringly pursuing a professional career — returns home to play a last game for his rural club side. The brutality he witnesses leaves him questioning the morals of the code. The role of the old guard coach is reprised by Roy Billing, in McGee's opinion "the first and definitive Tupper".
In this first feature film from writer/director Greg Page, two urban bloke best friends (Johnny Barker and Dwayne Cameron) take off on a surfing weekend. Their prospects of finding fun go down with the sun. Instead of enjoying surf and black sand, the boys find themselves lost in a rural nightmare, battling an inescapable curse. Page, known for his high energy music videos, wheel-spins city limits phobia into the Waikato heartland for a Kiwi twist on horror genre thrills. Website Horrorview called it "different and inventive enough to stand out from the crowd."
The third feature from writer/director Harry Sinclair (The Price of Milk, Topless Women ...) is a fleet footed anti-romance about sex and infidelity. Love is a game for Ben (Dean O’Gorman), who cheats on girlfriend Emily with ease — until he falls head over heels with unpredictable vixen Chlo (Kate Elliott). When Emily confesses that she too has cheated, Ben self-righteously dumps her and runs to Chlo. But Chlo has a rule: she won’t date available men. To win her love, Ben must be unavailable. This excerpt features much bed hopping and 20-something mat-ters.
For her first feature, writer/director Gillian Ashurst wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). But the duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: praising the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including best film and cinematography.
Three friends tour the Wellington pub scene, playing pool with ever-increasing stakes. Then they enter a tournament run by vicious crime boss ‘Daddy'. Narrator Kirk Torrance (Outrageous Fortune) guides us through their mission to pocket the money. Hamish Rothwell's only feature to date was a Kiwi take on the UK urban underbelly genre (Lock, Stock etc). "Smart, stylish and effortlessly entertaining" (Dominion Post) the film was a hit with young males and won several 2001 NZ Film and TV Awards (including best director, script, and actor). It sold to over 30 countries.
Running an impressive four series, stylish crime show Street Legal centred around a struggling Auckland law firm, home base for unorthodox lawyer David Silesi (Jay Laga'aia), and sometime girlfriend Joni Collins (Kathleen Kennard). 'Ellis's Restaurant', the first episode made following the pilot, sees Silesi defending an ex-junkie on a possession charge, and facing off for the first time on screen against Sergeant Keens Van Dam (Charlies Mesure). The episode also sees the debut of Silesi's beloved 1944 Ford Jailbar, after his Ute unexpectedly ends up in pieces.
The Savages are a working class West Auckland family who like drinking, and living by their own rules. Savage Honeymoon is a celebration of their passion and leather pants - and a snapshot of a couple worried their children may not be as lucky as them. Mark Beesley’s debut feature won good reviews (The Herald praised its “self-confident swagger”) – and headlines, after being downgraded from an R18 to R15. The film pre-dated the Westie family of Outrageous Fortune - though Beesley then hated the Westies label, disliking the word’s negative connotations.
Over four seasons, Street Legal’s slick Kiwi take on urban crime and law genres racked up a stack of award nominations - including a 2003 NZ TV Award for best drama series. Although initially wary that the Auckland setting might alienate viewers, writer Greg McGee chose a Samoan lawyer (Jay Laga’aia) as his main character, to exploit the show’s inner-city Ponsonby setting (where cafe society bumps into Pacific Island immigrant culture). Other key characters included Silesi’s lawyer ex-girlfriend Joni, and her new partner Kees, an overstressed sergeant.
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
Greenstone is the tale of a Māori woman whose beauty is used as a pawn by her ambitious father, Chief Te Manahau. In episode one, the missionary-educated Marama (Simone Kessell) travels to England with her father (George Henare), who sets about arranging an arms deal while she falls for their English host, ex-military man Sir Geoffrey Halford. Created for TV One by Greg McGee, the ambitious series was initially developed as a co-production between local company Communicado and the BBC. Local iwi Tainui helped fund the series, after the BBC withdrew.
Lawless saw Kevin Smith in one of his biggest roles: as undercover cop turned private investigator John Lawless. The character's career arc was told across three tele-movies. In this self-titled debut, Lawless struggles with divided loyalties while working for a dodgy drug lord (Joel Tobeck). Next thing, a robbery leaves Lawless framed by the good guys. This stylish Kiwi take on American crime shows won good reviews and a stash of awards, including gongs for Tobeck, co-star Angela Dotchin, director Chris Martin-Jones and best drama programme.
One of a trio of late 90s Kiwi crime-based pilots, Street Legal was the only one that would successfully spawn a series - four series, in fact (though Kevin Smith vehicle Lawless saw two further tele-movies). The Street Legal pilot provides a stylish big city template for the show to come, as Auckland criminal lawyer David Silesi (Jay Laga-aia) enlists the help of an over- enthusiastic journalist (Sara Wiseman) in the hope of winning an out-of-court settlement over a hit and run case. Meanwhile Silesi's lawyer girlfriend smells something fishy - with good reason.
This bawdy backblocks comedy follows the efforts of two middle-aged males to adjust after the death of their Mum (Dorothy McKegg). The somewhat dim brothers (played by Mark Hadlow and Sean Duffy) are lost without her cooking and advice on Judy Bailey’s attractiveness, and getting close to goats…until the hired help (Alison Bruce) arrives. The short film was the first production by Big House, a collaboration between director Mike Smith and editor John Gilbert. Invited to the revered Clermont-Ferrand Short Film Festival in 1999, it inspired a hit TV series of the same name.
Saving Grace sees spiky street kid Grace (Kirsty Hamilton) get taken in by enigmatic carpenter, Gerald (Jim Moriarty). As Grace falls under (much older) Gerald's spell, she's flummoxed by his claim that he is the messiah. Could Gerald be Jesus of Cuba Street or is he a delusional dole bludger? The screenplay was adapted by Duncan Sarkies (Scarfies) from his stage play. Botes' dramatic feature debut converted fewer viewers than his earlier work, the classic hoodwinker Forgotten Silver; although critic Nicholas Reid welcomed an NZ film that offered "style and brains".
Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...
Tala Pasifika was a pioneering Pacific Island drama series. This episode was one of six films that screened on TV One in 1996. The short drama follows teenage school friends Siosi (Johnny La'ulu), Matt (Faifua Amiga) and John (Robert Luisi), who are awaiting their School Certificate results. On the day he receives his grades, Siosi is beaten by his father (Ene Pataia). The following day, he discovers a tragedy has occurred within his circle of friends. This acts as a catalyst to resolve his own troubles at home. A Day in the Life won two awards at Canadian indigenous festival Dreamspeakers.
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealthy foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
A social cricket match in Cornwall Park needs a third umpire after a bogan's dog swallows the ball in this short film. As the men in white struggle to field the ball, a statistics-obsessed sport crosses absurd boundaries. A line-up of contemporary NZ comedic talent features on the field— plus New Zealand Black Caps cricketers (and 1992 World Cup bowlers) Chris Pringle and Willie Watson. Bradman was written and directed by Peter Tait (actor in classic shorts The Singing Trophy and Kitchen Sink). The film includes classic song ‘Bradman’ by Australian singer Paul Kelly.
A big budget New Zealand-French-Australian co-production, kidult series Deepwater Haven screened on TV2. It followed the fortunes of Waitemata Harbour tugboat skipper Jack Wilson (Vince Martin of Beaurepairies advertising fame) and his two kids, Georgie (Jay Saussey) and Peter (Peter Malloch). This opening episode sees Jack struggling to keep his business afloat; the local cafe is burgled; and Peter, marooned at a dry dock while on the run from bullies, is rescued by a street kid (future Pluto singer Milan Borich). Saussey won a NZ Film and TV Award for her role.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.