This 1993 award-winner was the first Crowded House video made in New Zealand. Director Kerry Brown and producer Bruce Sheridan wanted to emphasise the surreal, fantasy elements of the song, using distinctly Kiwi imagery. Locations included beaches and dense bush on the West Coast, the plains of Central Otago and the Victorian architecture of Oamaru. Scenes of an Anzac Day ceremony and marching girls also highlight the homeland setting. Brown took inspiration from Salvador Dali paintings for the psychedelic effects that were added in post-production.

This muscular early 90s cover of The Fourmyula’s pastoral 1969 classic comes from the first album by Don McGlashan’s band The Mutton Birds. The award-winning music video was directed by Fane Flaws — the first of six he made with the band (after previously working with McGlashan on The Front Lawn’s Beautiful Things clip). Guest vocalist Jan Hellriegel features amongst the battery of kaleidoscopic and psychedelic digital effects used to evoke the joys of nature. In 2001 the original tune was voted best NZ song in 75 years by songwriters’ association APRA. 

This episode of the Sticky Pictures’ arts show covers a 13 July 2008 concert that combined the musical talents of the Little Bushman with composer John Psathas and the Auckland Philharmonia. Trinity Roots alumnus Warren Maxwell is the frontman for Little Bushman and is a behind-the-scenes guide as they prepare their trademark psychedelic blues for Psathas (Olympics 2004 opening ceremony score composer) to wrangle for orchestral collaboration. Philharmonia met harmonica in one-off gig at Auckland Town Hall. The doco was directed by Mark Albiston.

This is the final episode in the first series of New Zealand's classic 60s pop show. Host Peter Sinclair seems to have no idea that the show will return for another two years. Meanwhile Mr Lee Grant, Sandy Edmonds, Herma Keil, Bobby Davis, Tommy Adderley, a rocking Ray Woolf and the Chicks run through the big hits of 1967, managing to compress 21 songs into a frenetic half hour. Sinclair promises "big sounds, fun sounds, wild sounds" as the show ranges from blues-rock through ballads and 'Edelweiss', to a nod to the children watching with 'Ding Dong the Witch Is Dead'.

This cover by Ted Brown and the Italians of the 1966 hit for the La De Da's focuses on the rock in the psychedelic rock original. Directed by Chris Jackson (Impressions), the no-frills video is all moody blues and reds, cut together with Brown and the band seen in naturalistic colour through a fisheye lens. Brown had won a Tui NZ Music Award for Most Promising Male Vocalist the previous year. Trivia: the Artie Kornfield and Steve Duboff-penned song was also covered by The Bangles. In 1995 Darryl 'DLT' Thomson remixed Brown’s version as the theme music for TV3 music show Frenzy.

This first episode of this much-loved kids series explores all things to do with lighthouses. It begins with a visit to Nugget Point; then things get eclectic. Earnest informational TV is interspersed with psychedelic graphics, cartoons, a sea shanty ("I want to marry a lighthouse keeper"), and funky lighthouse-themed songs. We meet Don (a lighthouse stamp collector); uncover the mysteries of how a ship fits into a bottle; and the three young presenters deconstruct their attempts at painting lighthouses, including a fine abstract effort from co-presenter Ray Millard. Classic.

For Unknown Mortal Orchestra’s third album, frontman and songwriter Ruban Neilson didn’t have to go far for inspiration. The 'Multi-Love' of the title track refers to an emotionally fraught and short-lived ménage à trois between Neilson’s wife Jenny and “Laura”, a fan who took up lodgings at the couple’s Portland home. Director Lionel Williams takes an abstract view of the singer’s situation, with a 3D tour of a mutating, multi-level psychedelic funhouse. A playable version of the experience was released as an app for both Mac and PC.

With its video filmed in a cramped Auckland flat, 'Pedestrian Support League' was the lead single off Street Chant’s long-awaited second album, Hauora. As the band play on, a psychedelic array of everyday kitchenware flies by in the background. The claustrophobic flat is appropriate — lead singer Emily Littler describes the lyrics as about “just your typical Kiwi shithole flat life filled with paranoia, depression and anxiety.” The album received critical praise upon its release, and the single was was one of five finalists for the 2016 APRA Silver Scroll Songwriting award.

This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.

‘Rain and Tears’ was inspired by a reworking of Pachelbel’s ‘Canon in D Major’ by Greek prog rockers Aphrodite’s Child (featuring Vangelis and Demis Roussos). Auckland band The Hi-Revving Tongues had their biggest hit with their version, which topped the New Zealand singles chart in 1969. This footage is from the Loxene Golden Disc contest, where they won the group award, and were nominated for best song. It’s a restrained performance which gives little hint of the band’s more psychedelic sound  — or their enthusiasm for onstage pyrotechnics.