Pioneering series Pukemanu (the NZBC’s first continuing drama) followed the goings-on of a North Island timber town. The series was conceived by former forester Julian Dickon (who quit the series and was replaced by Listener critic Hamish Keith as writer). Producing two seasons of six episodes was a key step in industry professionalisation, and many of the cast became stars (Ginette McDonald, Ian Mune). It offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; and reviews praised its Swannie-clad authenticity.
Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
“If this tale is about anything it’s about two words: Kiwi actor.” In this assured, at times offbeat documentary, Ian Mune takes us on a personal tour through his various lives as actor, director, teacher and more. He revisits early theatrical stomping grounds, and talks about how acting with Sam Neill in breakthrough movie Sleeping Dogs taught him “to stop pulling faces”. Mune also reminisces about directing movies comical, terrible and ambitious, and complains about the system of developing local films. There is also rare footage of his performances in 70s TV dramas Derek and Moynihan.
This half-hour portrait of actor and director Ian Mune kicks off at a family wedding. In-between clips illustrating his career, Mune reflects on life as a storyteller, "bullshitter" and goat farmer. He reveals his adaptation process, his loss of confidence after directing Bridge to Nowhere, and how had no idea what he was doing on Sleeping Dogs. He also warns of the dangers of being boring, and the challenges of pulling off a decent commercial. Two years after this documentary aired, Mune returned to glory with the release of his passion project The End of the Golden Weather.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
Ian Mune is a multi-talented and award-winning veteran of the New Zealand film and TV industry. He has been involved in a huge range of projects as an actor (Pukemanu, Moynihan, Erebus: The Aftermath, Fallout); writer (Sleeping Dogs, Gloss, Goodbye Pork Pie) and director (The End of the Golden Weather, Came a Hot Friday, What Becomes of the Broken Hearted). Three of the five films Mune has directed have won awards for New Zealand film of the year.
When people think of Ginette McDonald, they often think of one of New Zealand’s most defiant and famed purveyers of Godzone English, Lynn of Tawa. But for McDonald, Lynn is only one part among many. Alongside an acting career which began when she was still a teenager, McDonald has also worked as a producer, director and presenter.
Veteran actor Kevin J Wilson has made a career out of playing no-nonsense Kiwi blokes. His film credits include Pictures, Wild Horses and Chunuk Bair. He played Janet Frame’s father in Jane Campion’s An Angel at My Table, starred in the Wellington-based TV cop series Shark in the Park, and replaced the late Bruno Lawrence in the Aussie comedy show Frontline.
Ian Mune is a Kiwi arts legend.