This collection brings together over 60 titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. There are also background pieces by historians Chris Pugsley and Jock Phillips, and broadcaster Ian Johnstone. Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
The Coming-of-Age collection includes many of New Zealand's most beloved films. Featured are grumpy uncles, annoying parents, plus a wide range of children and teens negotiating the challenges of growing older — and wiser. Among the young actors making an early mark are an Oscar-nominated Keisha Castle-Hughes (Whale Rider), James Rolleston (Boy) and 12-year-old Fiona Kaye (Vigil). The titles include Alone, the winner of NZ On Screen's very first ScreenTest film contest. In the backgrounder, young Kiwi actor Thomasin Harcourt McKenzie writes from New York.
In the mid-70s New Zealand was on the edge of recession, and the petroleum-dependent economy was reeling from the first oil shock (the cost of importing oil had ballooned due to restricted supply). To help conserve power, Television One and the Government-run New Zealand Electricity teamed up for a series of public service announcements. In this 1975 slot, English actor Edward Woodward — fresh from starring as secret agent Callan, and playing the uptight sergeant in cult horror The Wicker Man — raises a toast to NZ, and counsels Kiwis to ‘save power’ in his inimitable style.
The Central Otago gold mining town of Cromwell celebrates its centenary in this 1960s National Film Unit documentary. For a fortnight the townsfolk go about their ordinary business, but in colonial-era costume. They also reenact the frontier-style life of gold rush New Zealand. Just 20 years before the film was shot, Cromwell banks were still receiving deposits of gold dust from customers. The Cromwell put on film in 1966 is also now just a memory. While the old main street still exists, much of the town was flooded with the completion of the Clyde dam in 1993.
Four-part series Revolution examined radical changes in New Zealand society in the 1980s and 1990s. This final episode sums things up, after examining "the second wave" of neoliberal reform when National took power in 1990, shortly after Telecom was sold to American interests. Incoming finance minister Ruth "mother of all budgets" Richardson oversaw a reduction of welfare payments, a shake-up of the health system, and a curbing of union powers. Richardson: "in a human sense I understood that [community outrage], but that wasn't going to deflect me".
Documentary series Revolution mapped the social and economic changes in New Zealand society in the 1980s and early 1990s. This first episode focuses on NZ's radical transformation from a heavily regulated welfare state to a petri dish for free market ideology. It includes interviews with key political and business figures of the day, who reveal how the dire economic situation by the end of Robert Muldoon's reign made it relatively easy for Roger Douglas to implement extreme reform. Revolution won Best Factual Series at the 1997 Film and TV Awards.
The Ralston Group was an early 90s TV3 political chat show where politicos and media industry insiders vigorously debated current affairs. In this mid-1991 episode ringmaster Bill Ralston prods RNZ political editor Richard Griffin, broadcaster Leighton Smith, North & South editor Robyn Langwell and lawyer Trevor de Cleene to tell it as they see it. They debate service on Air New Zealand, the reform of Accident Compensation Corporation, the National Party’s broken promise for a Guaranteed Retirement Income, and the vexed issue of personalised car number plates.
In the episode of TVNZ's media commentary show, Brian Priestley examines coverage of the 1987 general election. He finds much to like in the "terrific" efforts of radio, television and newspapers. TVNZ's "sloping thing" graphic comes in for particular praise, but Priestley is less enthusiastic about the televising of Jim Bolger’s painfully uncomfortable concession phone call to victor David Lange. The newly re-elected Prime Minister doesn't escape Priestley's vigilance, as Lange is chided for his post-election cancellation of press conferences.
“As an Oscar is to actors, a Benson & Hedges Fashion Design Award was to aspiring New Zealand fashion designers.” The B&H Awards were the big fashion event of the year for three decades from 1964. This 1978 telecast is presented from Wellington’s Town Hall by John Hayden, and longtime B&H organiser Josephine Brody. The theme is ‘fantasy’, but the fabric du jour is wool — befitting an economy living off the sheep’s back — with design entries coming in from Kaitoke to Marton and a procession of homespuns and knitwear paraded before the visiting Parisian judge.