Arts Icon Geoff Murphy is the trumpet-player who got New Zealand yelling in the movie aisles. His road movie Goodbye Pork Pie was the blockbuster hit of the NZ film renaissance, and he completed an unsurpassed triple punch with Utu and Bruno Lawrence classic The Quiet Earth. From student heists to hobbits this collection pays tribute to the laconic wild man of Kiwi film.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
On 8 June 1987 Nuclear-free NZ became law. This collection honours the principles and people behind the policy. Norman Kirk: "Should I take the view that because they'll react against us that we shouldn't stand up for ourselves? I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them."
This NFU documentary looks at working lives of a crew of Wellington rubbish collectors aka 'the dusties'. With an insightful dustie narrating, the film follows the team on their rounds, beginning early morning with the seagulls at the depot. Then it's into the trucks and off to face occupational hazards: irate householders, sodden winter sacks, and notoriously steep hills. Our dustie muses on everything from health benefits and job perks (discarded beer, money and toasters!) to cleanliness. This classic observational film ends with a tribute folk song.
Waking up with a vicious hangover after a big night out, Seff (Dahnu Graham) wanders Karangahape Road in need of keys to get into his house. Seeking only his flatmate and a flat white, Seff finds himself harrassed by all about a lewd act he has no memory of. Matters are made worse by the dubious company of Jeremy, who provides a running commentary while playing constant guitar. The black comic short was made as part of the K’ Rd Stories series, which celebrate the quirks and qualms of Auckland’s most notorious, and beloved road. Warning: contains some offensive language.
Reflecting the nautical themes found on chart-topping album Time and Tide, the classic 'Six Months in a Leaky Boat' demonstrated that Tim Finn was far from out of good ideas, even though he was soon to leave the band he had sailed with for so long. Opening with scene-setting Eddie Rayner instrumental 'Pioneer' and images of boats at sea, the video soon reveals Tim Finn and band below deck, in sailor's garb. Finn's much-loved line about refusing to be overcome by "the tyranny of distance" was likely inspired by the 1966 book by Australian historian Geoffrey Blainey.
Notable music video and feature film director Chris Graham (Sione's Wedding, Scribe) made his drama debut with this short film, which finds a bus driver and his passengers lost in their own thoughts on a rainy Wellington night. As they ruminate on incidents in their lives, ranging from confused and sad through to contented and joyous, the driver’s thousand yard stare portends a quiet desperation of his own. Shot in black and white, the largely wordless Bus Stop finds a group of people sharing an experience but completely alone (yes, even pre-iPhone) in their own worlds.
In a wooden cabin on the edge of the forest, a strange young girl referred to only as 'Kid' holds court over her trapper Dad and his isolated bush family; she sits beneath the dinner table, makes animal sounds and refuses to be washed. This pitch-black fable is told through the eyes — and distinctive voice — of her sympathetic brother 'Little Man', who one night makes a fateful decision that liberates her into the wild. Filmed in gas-lit sepia by Leon Narbey, the atmospheric and award-winning film announced the directorial talents of the late Brad McGann.