This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.

Amy Street is an award-winning series of eight short documentaries. Each tells the story of a resident in a Thames assisted living community for people with intellectual disabilities. Opening the series is Celeste, a superfan of Shortland Street who gets to meet one of her Street idols. Other interviewees include Moyzee, a keen singer who says "labels are on jars and I'm not a jar so you can't label me"; couple Topsy and Dave, who are excited about their upcoming wedding, and Jonathan, a runner who hopes to win a medal at the Special Olympics in Dunedin. 

This episode of the kids' TV institution celebrates te reo — one of Aotearoa's three official languages — for Māori Language Week. The July 2011 show opens at its Christchurch studio with a haka from Spreydon's kura kaupapa; from there the kōrero — and gunge — flows freely. Bursting with edifying energy it includes the show's trademark games, and The Wobblies, LOL and Family Health Diarrhoea. Australian Idol Stan Walker is the star guest and sings 'Loud' with Camilla the chimp, and NowTube visits an 80s What Now? (Steve Parr, Frank Flash et al). Tu meke tamariki!

In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.

One of Wellington’s leading 60s bands present a dark and troubling tale of revenge via voodoo doll. The clip — made for the Studio One TV show, a regular Avengers' gig — incongruously takes its cues from music video precursors like early Beatles films and The Monkees TV series (where the default position was zany and madcap). It was shot around Oriental Bay, with one fleeting pre-Te Papa harbour vista — but the focus is mainly on the band’s antics. The Avengers gamely enter into the spirit of it all, although four on a motor scooter looks decidedly dodgy.

Screening on TVNZ, this animated series for young kids follows the adventures of Massey the farm tractor and his machine mates on Murray and Heather’s farm. In this episode from the first series Massey gets distracted en route to fencing by Slo Mo, an uppity mobility scooter who doesn’t like collecting eggs. When the chicks follow Slo Mo to the shed — where no animals are allowed — the gang come up with a plan, and a cunning disguise for Slo Mo. The series is narrated by broadcaster Jim Mora (Mucking In), who created it with Brent Chambers of Flux Animation.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings. The Sound of Seeing served early notice on Williams' editing talents, his love of music, and his dislike of narration. It was also one of the first independently-made titles screened on Kiwi television. Composer/author Robin Maconie later wrote pioneering electronic music.