Bagpipes, haggis, and the heartbreak of leaving home; Hoots Mon examines those who have migrated from Scotland to Aotearoa. In the 1840s a group of Scots settlers started a new life in Dunedin, after breaking off from the Church of Scotland. Ayrshire-born director John Bates talks to some of their descendants, and heads to the far north to interview others with Caledonian roots, in Waipu. Alongside some impressive Richard Long camerawork, the interviews include composer Steve McDonald, whose ancestral research has inspired several Celtic-themed albums.
Screened in the lead-up to the 1999 World Cup final, this keenly-watched series explores the history of our most famous sports team. Episode one is framed around All Black encounters with England, Wales and Scotland. In these excerpts, Quinn tracks down 60s test prop 'Jazz' Muller (whose home is a shrine to touring days), explores prop Keith Murdoch’s infamous 1972 tour expulsion; visits the marae of George Nepia, examines rugby’s far-from-egalitarian status in England; and various All Blacks recall the rare shame of losing, amidst a history of victory.
Two expat Kiwis return home from the United Kingdom in this episode of Coming Home — Rocky Horror creator Richard O’Brien, and renowned opera tenor Patrick Power. Power returns for work: he’s performing two demanding roles in Pagliacci and Cavalleria rusticana in Auckland. O’Brien’s visit is far more relaxed, visiting old haunts, his siblings and a former employer. Despite the pair espousing love for their UK residences, both fall victim to that irresistible allure of home. O'Brien, a British citizen raised in Aotearoa, was finally granted citizenship in 2011.
New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
This 1978 National Film Unit documentary provides a potted history of settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials. Then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and future winemaker Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, around the time of his breakout acting role in Sleeping Dogs (1977).
In 1999 the All Blacks were off to the Rugby World Cup in Wales, with a hoard of Kiwi rugby fans following in support. One particular group, led by former captain Buck Shelford and his wife Jo, are the subject of this documentary. The group consists largely of farmers and businessmen, who have each paid the handsome sum of $12,000. Arriving in time for the quarter finals, they are sure of seeing the All Blacks raise the Webb Ellis Cup after the final at Cardiff’s Principality Stadium. Opposing fans seem to have other ideas though, as does a certain underdog French team.
This is the first of a six-part TVNZ series which follows seven couples from antenatal classes to the reality of childbirth and parenthood. Along the way they share their hopes and fears as they await the arrival of their first born. This episode focuses on antenatal classes, decisions that have to be made and practical adjustments, including jobs and budgeting. The fathers-to-be provide some of the most humorous lines, mostly displaying their naivety (one looks forward to the chance to "laze back a bit"). But all the participants show an honesty that makes for fascinating viewing.
This third episode of Men of the Silver Fern follows the fortunes of the All Blacks from 1956 to 1978. In 1956 the All Blacks had beaten the Springboks by playing a conservative ’10-man’ game, but they faced criticism for their dour pragmatism. A decade later the backs were back: coach Fred ‘The Needle’ Allen based his triumphant turn at the helm of the All Blacks on expressive, running rugby. This episode follows the All Blacks’ ongoing mission to win a series in South Africa, and achieve a ‘grand slam’ of victories over the home unions on a tour of the UK.
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.