This special report from late 80s/early 90s current affairs show Frontline looks at the Wahine disaster, on its 25th anniversary. Fifty-one people died on 10 April 1968 after the interisland ferry struck Barrett Reef near Wellington, in a huge storm. The first part ('From Reef to Ruin') features archive footage and interviews with survivors and rescuers. In the second part ('Fatal Shores'), reporter Rob Harley examines whether the ferry could have been better equipped, and more lives saved. A third part ('Strait Answers') is not shown here due to copyright issues with some of the footage.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).
Sixties talent show Have A Shot began as an Ian Watkins radio slot on 1ZB. The popular TV version began in Auckland in 1961, and expanded to include competitors in Wellington and Christchurch the following year. This final from 1964 sees eight regional winners compete for £300, by performing two prerecorded songs each. The judges are 200 voters from the four main centres. The listening is easy, across genres ranging from folk songs to country ballads. The host is radio veteran John Maybury. Note: the winner is not revealed. Have a Shot was replaced by New Faces in 1965.
Sixties teen sensation Allison Durbin featured on an episode of this early music show, shortly after her version of 'I Have Loved Me a Man' topped the Kiwi charts. Durbin sings ballad 'Looking Through a Tear', before swapping the dress, probably reluctantly, for a polka-dot pantaloon ensemble. As she sings the hip-swinging 'Eso Besso' (That Kiss), a small group of pseudo-Mexicans attempt to show a sombrero can make a viable dance prop. Durbin relocated to Melbourne around the time this was shot, where she would be triple crowned 'Queen of Pop'.
Before he was a British MP and Pavlova Paradise author, politics lecturer Austin Mitchell was a well known NZBC broadcaster. In this September 1965 first episode of his parliamentarian interview series he chats to Prime Minister Keith Holyoake. Mid-way through his 12 year reign, ‘Kiwi Keith’ offers frank insight into his job, from how he chooses his caucus to the balance of power between the arms of government. The National Party leader frames the role of PM as, “Chairman of Directors of the Board that runs the biggest business in New Zealand, the Government.”
In more repressed times, Carmen was one of NZ's most colourful and controversial figures. Geoff Steven's doco traces the life story of the transgender icon who was born Trevor Rupe in Taumarunui in 1936 and went on to be a dancer, sex worker, madam, cafe owner — and one of the few non-MPs to appear before the Privileges Committee. Steven shines a light on a bygone era of gay culture but avoids the temptation to focus on the seedy — opting, instead, for extended fantasy sequences (featuring Neil Gudsell aka Mika) to illustrate key moments in Carmen's life.
A stylish title sequence sets the tone for this NFU short on motor racing in the early 60s. Shot during the golden age of the sport, it begins with amateurs competing in Dunedin's 'round the town' race (won by future Formula One champ Denis Hulme), then shifts north to Auckland for the New Zealand International Grand Prix. 60,000 spectators watch world champ Jack Brabham and local hero Bruce McLaren battle for the title. Also included are classic summer shots of the world's top drivers relaxing on the beach, and Australian racer Arnold Glass teaching McLaren to waterski.
This impressionistic, late 1960s survey traces Auckland from volcanic origins to a population of half a million people. Produced by the National Film Unit, it finds a city of "design and disorder" growing steadily but secure in its own skin as its populace basks in the summer sun. A wry, at times bemused, Hugh Macdonald script and an often frenetic, jazzy soundtrack accompany time honoured Queen City images: beaches and yachting, parks and bustling city streets, and an unpredictable climate given to humidity and sudden downpours.
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
Surveying All Blacks rugby from 1905 until 1967, this wide-ranging documentary is framed around the NZ Rugby Football Union’s 75th jubilee celebrations. The archival gold mine includes matches from the 1905 Originals and 1924 Invincibles tours, and clashes with Springboks, British Lions, Wallabies and French rivals. There's also footage of NZ schoolboy and NZ Māori clashes, and a jubilee match with Australia. Funded by Caltex NZ, the documentary was made by legendary Pacific Films co-founder John O’Shea. Press on the backgrounds tab for a list — in order — of all the matches.