Before turning to directing, Barry Barclay did more than five years training to become a priest. That experience surely percolates through his film Ashes, with its reflections on identity, spirituality and living (or feeling) apart from others. The film centres on the thoughts of four people: an artist, a woman struggling with her identity as a high achiever, an actor, and a priest. Are all of them acting, or only Sam Neill? The film features readings from Ash Wednesday, the poem written by TS Eliot after converting to anglicanism. Ashes screened on NZ television on 17 March 1975.
In this Good Day interview, Alison Parr talks to Sir Edmund Hillary as he discusses From the Ocean to the Sky, a book about his 1977 jet boat mission up India's holy river, The Ganges. A reflective Sir Ed talks adventure, spirituality and his 'escapist' relationship with Nepal; and Parr probes him on his reluctance to include single women on expeditions. On a more outspoken note, he expresses his dismay at a lack of "positive, inspirational leadership" in contemporary NZ in what is arguably a barely disguised attack on the style of Prime Minister Rob Muldoon.
Presenter Chris Nichol explored the spirituality of New Zealanders in this interview based documentary series. It ran for five years and was intended to broaden TV One’s religious programming to reflect a growing diversity of faiths and philosophical approaches to life (from conventional religions through to a Wiccan, a rationalist and an atheist). Each episode examined the life and beliefs of one person and subjects included Sir Ray Avery, Gareth Morgan, Wynton Rufer, Moana Maniapoto, Joy Cowley, Nandor Tanczos, Ahmed Zaoui and Ilona Rogers.
Ethical entrepreneur, medical pioneer and inaugural New Zealander of the Year, Sir Ray Avery traverses his life, work and beliefs in this episode from a TV One documentary series about spirituality. English-born Avery is a passionate and entertaining raconteur as he recounts his “overnight success story” which took 18 years and saw him overcome a childhood of neglect and abuse. His highly successful company has no permanent employees but has touched hundreds of thousands of lives with low cost, life saving medical devices manufactured in developing nations.
Released in Kiwi cinemas in August 2009 — after winning praise at festivals in Berlin and Rotterdam — The Strength of Water marks the big-screen debut of Māori playwright Briar Grace-Smith, and Pākehā director Armagan Ballantyne. The film centres on a 10-year-old twin brother and sister in an isolated part of the Hokianga, and the events that follow when they encounter a young stranger. The Strength of Water merges a spare, naturalistic portrait of a Māori family struggling to stay above water, with moody images of earth and sea, loss and new beginnings.
In this five-part series, presenter Peter Hayden travels through some of New Zealand’s most awe-inspiring landscapes. The series was made to coincide with the centennial of the establishment of Tongariro, Aotearoa’s first national park (and the fourth worldwide). Hayden traverses the famous Tongariro Crossing with priest Max Mariu, volcanologist Jim Cole, park ranger Russell Montgomery, and the young Tumu Te Heu Heu. It was the first time Tumu, later paramount chief of Ngāti Tuwharetoa, had been up the maunga; the power of his experience is clear and moving.
Described as a "Māori Twilight Zone", Mataku was a series of half-hour dramatic narratives steeped in Māori experience with the "unexplained". Two South Pacific Pictures-produced series screened on TV3; a later series screened on TV One in 2005. Each episode was introduced by Temuera Morrison Rod Serling-style. The bi-lingual series was a strong international and domestic success; producer Carey Carter: "Our people are very spiritual ... and here we are ... turning it into stories so that the rest of the world can get a glimpse of that aspect of our culture."
Starting in the questioning times of the late 60s, many New Zealanders began leaving town to set up their own communities, in search of alternative ways to live. This then and now documentary travels to communes long gone and still active, and tracks down many of those involved. Tim Shadbolt describes a time when people questioned "everything fearlessly ... without reserve and without restraint". The back to the land approach brought both satisfaction and fatigue. Dirty Bloody Hippies played to full houses at NZ's Documentary Edge Festival.
Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to Ngati. This story of stolen Māori carvings in a Berlin museum sees Barclay plunging into issues of control of indigenous culture he would return to in book Mana Tuturu. Feisty activist (Peter Kaa) and elder lawyer (screen taonga Wi Kuki Kaa) favour different approaches to getting the carvings back home. Barclay and his longtime producer John O’Shea had their own differences over Te Rua’s final cut.
In the first episode of The Cult, headstrong lawyer Michael Lewis (Shortland Street's Renato Bartolomei) joins a volatile group in a Northland house. Each of them has lost a family member or friend to commune Two Gardens, and wants to get them out. Meanwhile, inside Two Gardens, Michael's son is asked to "renounce" his own brother. Created by Kathryn Burnett and Peter Cox, The Cult won Qantas awards for acting, design, music, cinematography, and editing — and was nominated for another four acting awards. Peter Burger (Until Proven Innocent) directs this first episode.