Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.
A mutant lamb escapes from the lab after dodgy genetic experiments, and herds of sheep are turned into bloodthirsty predators. Three hapless humans are stranded on the farm as the woolly nightmare develops. They discover a bite from an infected sheep has an alarming effect on those bitten. With his first feature, director Jonathan King (Under the Mountain) provides splatter thrills and attacks a few sacred cows. Black Sheep was invited to 20+ international festivals, where it scored acclaim and multiple awards. The interviews include King, Weta's Richard Taylor, and the cast.
After his mother gets infected by a bite from a deadly Sumatran rat monkey, Lionel (Almighty Johnson Tim Balme, in an award-winning performance) has to contend with a plague of the living dead while attempting to woo the love of his life. Peter Jackson had already been tagged with the title ‘The Sultan of Splatter’ after his first two features, but this was the film that confirmed it. Armed with a decent budget, he takes a Flymo to fusty 1950s New Zealand and takes cinematic gore to a whole new extreme in the process.
The first film from Guy Pigden and Harley Neville featured midget zombies in graveyards. Fifteen years later their debut feature was born, with another on the way. I Survived a Zombie Holocaust is the tale of a horror movie in which the zombie extras turn into real-life zombies. Shot in Dunedin as part of the low-budget Escalator scheme, the horror comedy aims to pay tribute to classic zombie movies, while adding fresh twists. The result was given a multi-platform release after good reactions overseas, with viewers able to arrange a local cinema screening through website Tugg.
Director Peter Jackson's second feature Meet the Feebles offers even more bad taste than his debut. The irreverent, outlandish, part-musical satire is populated almost entirely by puppets, but it is by no means cute. The motley creatures are all members of a variety show that’s working up to a major performance. They include Bletch the two-timing pornographer walrus, an obese hippo femme fatale, a drug-dealing rat, and a heroin-addicted frog — in other words, something to offend everyone. Richard King writes about the creation of New Zealand's first puppet movie here.
After concocting all manner of outlandish images on 8mm film, Bad Taste was Peter Jackson’s breakthrough; years in the making, it was the first feature to make it from his Pukerua Bay backyard to cinema screens, where it quickly began to rack up sales. An all-male cast of public service Alien Investigation and Detection Service operatives run amok with guns, food, vomit, rockets and misguided enthusiasm, to rid the earth of alien Lord Crumb and his fast-food gang — who want to turn earthlings into hamburgers. Jackson took two acting roles in this ‘splatstick’ sensation.
Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.
Designed to provide viewers with a “perfect storm” of gore, guitars, girls and comedy, Deathgasm is the tale of a two young heavy metallers who accidentally summon up a demon. Blazing a bloody trail at festivals across the US, the film was born from the Make My Movie Project. Four hundred pitches for a low budget Kiwi horror movie led ultimately to one winner, a tale inspired by the metal and movie-mad youth of digital effects man turned director Jason Lei Howden. After debuting at US festival SXSW, Deathgasm won enthusiastic reviews and festival slots in Sydney and NZ.
Actor/director Taika Waititi teamed up with his Eagle vs Shark star Jemaine Clement for this mockumentary about life for a flat of vampires. Cameras follow the vamps as they struggle to get into Wellington pubs, squabble over chores and face off against werewolves. A roster of Kiwi comedic talent (including Jackie van Beek and lazy vampire Jonathan Brugh) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales and four Moa awards, including Best Self-Funded Feature. It also spawned two TV series, and a live show.