‘Still in Love With You’ dates from 1978's O Zambesi, the album that yielded Dragon ‘Are You Old Enough’, their first (and only) number one hit in Australia. One of a series of hook-laden singles penned by keyboardist Paul Hewson, 'Still in Love' became another live staple for the Auckland prog-rockers turned Aussie pop stars. A straight down the line performance video shot against a white-washed studio, the video works thanks to the star power of lead singer Marc Hunter, who brings to the party all of his swagger, charisma and coiffed hair. The band bring their sunnies.
This short documentary about freestyle skiing was directed for the NZ Tourist and Publicity Department by Sam Neill (who would shortly achieve fame as an actor). This was one of several docos directed by Neill while at the National Film Unit; other subjects included the Red Mole theatre troupe and architect Ian Athfield. The skiers put on daring displays of their 'art' in locations including Mount Hutt, Queenstown and Tongariro National Park. 70s snow-styles (and beards) abound. The film was translated into French, Japanese, Italian, German and Spanish.
For just one easy payment, you too can escape the disappointment and heartache of your existence. This quirky black comedy might make you think twice before hanging up on that next tele-marketer, as the Sunshine Man tries to help people to see what he sees. Actor Des Morgan puts in an appealing performance as the titular Sunshine Man, and Wellington electronica master Rhian Sheehan provides a haunting soundtrack to match the film’s dark style.
In 1995 Flying Nun released compilation CD Abbasalutely, made up of ABBA covers from their stable of artists. Headless Chickens contributed with this decidedly heavy cover of 'Super Trouper', ABBA’s ninth and final UK chart topper. The monochrome music video for the remake takes place at the RNZAF Base at Whenuapai, with the Chickens adopting many precarious positions on top of aircraft. It was directed by Jonathan Ogilvie, who helmed numerous Flying Nun music videos. The song's title was inspired by a popular concert spotlight.
In 1992 songwriter and guitarist Andrew Brough left Straitjacket Fits, determined to perform his own brand of "f***ing uplifting pop music". Three years later he formed Bike with drummer Karl Buckley and bassist Tristan Mason. Debut single 'Save My Life' was a finalist in the APRA Silver Scrolls. Brough was a fan of sunny, West Coast guitar jangle and 'Save My Life' has a bob each way: guitars chime, while a morbid lyric ('Don't you try and save my life /cos' I'm already dead') floats overhead. Director Mark Tierney chooses a dreamy palette which combines orange with monochrome.
The ever combative Lou Reed had one memorably tense (and lost) Kiwi television encounter, with Dylan Taite. A decade later Keith Tannock fares better with the legendary New York rocker in this interview for TVNZ’s 80s music show. From behind impenetrable aviator shades, Reed is always on guard but happy to advocate for literate and thoughtful rock’n’roll, extol the virtues of the recently introduced CD, pinball and Police Academy, and express the hope that his music is “if not illuminating, at least interesting” and is at the very least, “good for a laugh”.
For this Garageland video, British director Gina Birch filmed the band multiple times, before dissecting the footage and reconstructing it in segments. By splitting the screen equally into 12 squares, Birch creates some unusual distortions of time and space, including one head becoming two, and mirrors being used to dazzle the camera. The video was shot in London. Birch was a founding member of British post-punk band The Raincoats; she has gone on to direct videos for New Order, The Pogues, and The Libertines.
In this one-off documentary Te Radar takes his roving reporter skills to Takaka, and immerses himself in the groovy world of The Gathering. The New Year's dance music festival ran from 1996 to 2002. Radar proves the master of the quote, whether chatting to 'Lords of the Ping', electronic act Pitch Black or avoiding immolation from fire poi enthusiasts ("who doesn't love a fire poi", he says grimly). Watch out for Black Seed Bret McKenzie, laidback DJ star John Digweed and the earnest 'Jesus Food' crew, whose free dosh proves a bit too popular for rival food stalls.
The Splore summer music festival has always been as much about alternative lifestyles as live music: in other words, it's a poi twirling, hippie paradise. Presenter Jane Yee teams up with Evan Short — one half of electronica act Concord Dawn — to wander around the idyllic Waharau Regional Park setting, take a wedding snap at the 'Las Vegas Wedding Chapel', and witness the air-cracking skills of The Wild Whip Man. Yee also chats to Fat Freddy's Drop and Nathan Haines, and showcases videos for 'Don't Tell Me' (Concord Dawn), 'Hope' (Fat Freddy's), and 'Doot Dude' (Haines).
In 2003 a trio of Otago University students hosted a private outdoor music gig at Waiohika Estate, just outside Gisborne. Today the Rhythm and Vines festival is a hot ticket internationally, a three day event full of tents, beers and cheers. 20/20 goes behind the scenes in the dying days of 2010, as Rhythm and Vines attracts a record-breaking crowd of 25,000 people. Festival founders Hamish Pinkham, Andrew Witters and Tom Gibson have to solve last minute hiccups to pull off the party. Shihad front man Jon Toogood describes it as "the Big Day Out in a forest".