This 1949 NFU film visits Western Samoa. Director Stanhope Andrews surveys life in the “lotus land of the Pacific”, showing taro and coconut harvest, cooking in umu, and church and fale building, as “the flower-decked girls sing and dance beneath the palms”. The benefits of New Zealand’s then-administration are shown (eg. medical services, education) but the travelogue ignores earlier ignominious acts, such as the quarantine blunder that saw one in five Samoans fall to influenza. The Olemani Aufaipese (choir) provides the score. Samoa won independence in 1962.

Taro planter Lui’s grief for his dead wife is blighting his life and crops. A widow, Malia, is bound by anger to the grave of her abusive husband, as the rising sea slowly drowns it. When Lui and Malia meet by chance, he’s provided with a path from his hurt. Filmed in Samoan on the island of Upolu, and directed by Samoan-born Tusi Tamasese, the short is a fable-like meditation on communion, cooking and sacred places. It was selected for the Clermont-Ferrand and Hawaii film festivals, and was the precursor to Tamasese’s Venice-selected debut feature, The Orator.

Take Home Pay marks the third self-funded feature for writer/director SQS. Three Wise Cousins and Hibiscus and Ruthless both proved popular with audiences and critics. This 'action comedy' focusses on Samoan brothers Popo (Ronnie Taulafo) and Alama (Vito Vito) who ditch the taro fields of home for the promise of big money, picking kiwifruit in Aotearoa. When Popo steals their wages and goes AWOL, Alama calls on his relative, unorthodox private investigator Bob Titilo (ex Laughing Samoan Tofiga Fepulea'i) to help track his brother down. Magnum P.I. he ain't.

Real Pasifik is a roving celebration of Pacific food and culture. Inspired by chef Robert Oliver’s acclaimed cookbook Me’a Kai, the show follows Oliver as he travels across the Pacific, aiming to inspire resort chefs to showcase indigenous cuisine. In this opening episode of the first series, Oliver heads to the Cook Islands where he visits a marae for a kai blessing, before tasting goat and taro from an an umu (earth oven). He goes lagoon spear fishing, samples pink potato salad (aka ‘mayonnaise’) and serves up a banquet of locally-cooked food to assembled VIPs. 

On the 3rd of September 1974, Niueans voted to self-govern in free association with New Zealand. Inquiry visits the tiny Pacific Island atoll one week before this hugely significant referendum, to take the mood of the people and observe how the island, which relies on shipped imports, keeps its economy afloat. Reporter Joe Coté interviews future Niue premier Robert Rex and Hima Douglas, a future politician. Coté investigates if the decision to self-govern will affect the large number of Niueans who leave each year to settle in New Zealand.

This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.

Presented by Niuean broadcaster Foufou Susana Hukui, this first episode of the long-running Pasifika current affairs series includes items on Cook Islands dance, the “Otara flea market”, and NZ work schemes for islanders. Samoan Maligi Elvie presents South Pacific news, while Vainetutai Temaeva-Nicholls covers the Cook Islands. Debuting on 4 April 1987, the TVNZ series broke ground as the first NZ television show to focus on PI stories (earlier show See Here was aimed at both Māori and Pasifika audiences). Researcher Iulia Leilua went on to report for Native Affairs. 

This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other." 

This documentary follows the build-up by the Auckland Warriors to their first match in Australia’s National Rugby League competition (against the Brisbane Broncos). They are the first offshore club to compete in the NRL. The excitement and routines of a burgeoning pro sport franchise — from training to brand development — are captured alongside player profiles: Dean Bell is captain, coach is John Monie, and future Kiwi league legend Stacey Jones is an 18-year-old rising star. Presented by Temuera Morrison, the score is hard rock, and the jersey sponsor is DB Bitter.

American-raised, Kiwi based photographer Todd Henry produced this documentary for Vice, after meeting deportee 'Ila Mo'unga while visiting Tonga. Mo'unga was drawn to Henry after hearing his familiar American accent. Tonga is now home to hundreds of deportees — permanent residents of New Zealand, Australia or the United States who committed serious crimes and did jailtime, then were put on a plane to start a new life in an unfamiliar culture. The lucky ones have family land, or a place to stay. But many start from scratch and without institutional support, old bad habits can kick in.