A Friendly Career (or The Story of the Training and Life of the New Zealand School Dental Nurse) was a promotional film made by the National Film Unit for the Department of Health. The plot waltzes through the idyll of one doe-eyed careerist's sugar-coated journey to a respectable job in the 'murder house', caring for the teeth of the Dominion's children. Focusing on the hard work and 50s fun times of hostel life, with its friendships, matrons, tooth-pulling and en masse doing-of-the-hokey pokey, the end of this careerist road is pitched as one of great satisfaction.
From a pre-Mythbusters but post-blackboard and pointer era, Christchurch-produced Science Express took a current affairs approach to reporting contemporary NZ scientific research. Presented by broadcaster Ken Ellis this 1984 ‘best of’ dives beneath fiords to explore mysterious black coral forests; and looks at teeth transplants, efforts to stimulate deer fawning, and the STD chlamydia. Finally the show visits Wellington and Christchurch Town Halls to profile concert hall acoustics pioneer Harold Marshall, and his mission to attain perfect sound for listeners.
This 1950 edition of the Weekly Review series welcomes the touring British Lions rugby team in Wellington, where speeches are given on the wharf. It was the first post-war tour by the Lions (notable for the debut of their iconic red jerseys — not able to be discerned in this black and white reel!). Then it’s down to Canterbury Museum to explore displays of moa bones, cave paintings and the relics of the moa hunters. Finally it’s up to the farthest north to visit Te Rerenga Wairua, for a look at life keeping the ‘lonely lighthouse’ at Cape Reinga Station.
In each episode of this long-running TVNZ show, a well-known Kiwi takes the pulse of a neighbourhood they are connected to. In this opening episode, musician King Kapisi (aka Bill Urale) guides viewers around Newtown, the cosmopolitan Wellington 'hood where he was born. He revisits his childhood, meets a Greek easter egg maker, a muslim ritual cleanser, African music advocate Sam 'Mr Newtown' Manzana, and a Mexican making skateboard art. The NZ Herald’s Paul Casserly raved: "This is beautifully shot, feel-good TV, reminiscent of the superb Living Room series."
This final episode from series two of the arts series is presented by Taika Cohen (aka Taika Waititi) and his alter ego, silly German Gunter Schliemann. Taika makes short film Tama Tū, performs as vampire Diego (later reborn in What We Do in the Shadows) and performs Taika’s Incredible Show at Bats Theatre. Included are scenes from his early, little-seen short film John & Pogo. Also featured are artist Siren Maclaine (aka Siren Deluxe) and her feminist erotica; Caroline Robinson’s large-scale Auckland motorway sculptures; and comics artist Colin Wilson (Judge Dredd, Blueberry).
The Listener described the child-friendly music of Fatcat & Fishface as sounding “like Tom Waits’ toy cupboard.” ‘Happity’ (from album Meanie) is a bogan twist on Cinderella, with an uncoordinated rabbit from Palmerston North — “the fumbliest, stubbliest bunny of all / His feet are too big and his teeth are too small” — feeling dateless before the Manawatu ball. Made with stop motion animation, the video was directed by Derek Sonic Thunders, who gained notoriety for his video ‘Songs About Drinkin’ and Dyin', in which Action Man and Barbie do unmentionable things.
Pictorial Parade was a long-running series produced by the National Film Unit. This brace from 1966 tees off with ‘Championship Golf,’ where a jaunty commentary narrates the final game (at Auckland’s Middlemore golf course) of a touring four-match series, played between US champ Arnold Palmer and left-handed local hero and 1963 British Open winner, Bob Charles (30 years-old here). The next clip, ‘Sounds of Progress,’ is an instructional film from the Department of Health, drawing attention to the dangers of industrial noise, with advice on how to avoid it.
Savage is one of Kiwi music's most successful exports of the noughties - penning infectious hit 'Swing', whose bass-rich chorus gained US attention after featuring in film Knocked Up (another Savage track features on Superbad). The South-Auckland raised hip-hopper cut his teeth in Deceptikonz before launching his solo career with 2005 album Moonshine, which went gold in Australia. He began making in-roads in the US while working with Akon, and released Savage Island in 2009, followed by Mayhem & Miracles in 2012.
In this episode, the pint-sized Tamatoa sets off to rescue his talkative friend Moko the tuatara (Jason Hoyte), after Moko goes on an accidental kite journey and ends up in a swamp that is home to a brightly-coloured taniwha. Tamatoa has been warned that if he meets the taniwha, having a gift ready might help things along. The swamp is a place of many surprises: some of them with teeth, some with smiles. The light-hearted, colourfully-animated show was created by Kiwi company Flux Animation Studios.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.