This National Film Unit travelogue, produced for the NZ Government Department of Tourist and Health Resorts, finds post-war Auckland basking in sunshine. Flowers bloom in parks and gardens, city streets bustle and public swimming pools are packed. Trams and flying boats are a reminder of a by-gone era in the city's transportation while a rug factory is a colourful if unexpected inclusion. Last stop is a visit to Kawau Island — home of Governor Grey's Mansion House — where the sun also shines and aquaplaning, sports and bush walks are the order of the day.

In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.

The Italian Job meets cheap jugs and a student union gig in this early heist tale from Geoff Murphy (Goodbye Pork Pie). The plot follows some university students — short on exam fees and beer money — and their scheme to crack a campus safe. Murphy enlisted $4000 and a bevy of mates (including Bruno Lawrence in one of his earliest screen roles), and made it over nine months of weekends. It sold to local television (as well as the ABC in Australia). Its deliberately low key, naturalistic acting stood in stark contrast to the stage-influenced television dramas of the time.

This June 2013 edition of the TVNZ Pasifika youth show is presented by actor Robbie Magasiva from his base in Melbourne, where he has a role in Australian prison drama Wentworth. Elsewhere the Poly-plethora includes a visit by Pani (Goretti Chadwick) to Armageddon Expo in Hamilton to meet Game of Thrones actor Jason Momoa. Pani makes the hard man with Hawaiian heritage blush, and gets the lowdown on his mako tatau. Niuean artist Kenneth Green also talks about his tattoo; Tiger and Raa visit the school principal; and reggae band Brownhill close with ‘First Love’. 

This was the 24th edition of New Zealand Mirror, a 1950s National Film Unit series promoting New Zealand to British audiences. The first clip, about rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in Kiwi theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy. 

This NFU public safety film takes a jaunty approach to a serious subject as it shows road crossing dangers via bad examples. Mis-steps include walking off the footpath carelessly, crossing the road at oblique angles, 'dithering', and over-confidence. The humour may be physical and the narration pun-filled, but the lessons remain relevant, as pedestrian accidents on Wellington's and Auckland's 21st Century city bus lanes attest. Despite the big question promise of the title there is no Socratic dialogue about crossing the road or any consideration of chickens.