This award-winning telefilm imagines the effects of a major earthquake on New Zealand’s capital city, and how its citizens react to chaos, death, isolation and tsunami. It was completed in 2008 — before Christchurch took Wellington’s mantle as NZ's shakiest city, and made Aftershock's imagined scenes a reality. Aftershock was produced for TV3 by The Gibson Group, and written by veteran screenwriter Graeme Tetley (Out of the Blue, Vigil). The following week saw the debut of Aftershock - Would You Survive?, which put a real-life family through a three-day survival test. 

One morning, as kids are stealing apples from an old man’s orchard high above a seaside town, an earthquake hits. No one is hurt, and the townsfolk are non-plussed, but the old man is agitated: he alone is aware of the imminent tsunami and tries to warn the village. Based on a classic Japanese fable, The Orchard was made by one-man band Bob Stenhouse, who had been nominated for an Academy Award the previous decade for pioneer tale The Frog, The Dog and The Devil. Fans of the animator will recognise his lush, luminous hand-drawn style.

Campbell Live was Three's flagship current affairs programme for a decade. Despite a public campaign to save it, the show ended on 29 May 2015. This final episode presents a greatest hits reel. Alongside acclaimed reporting (Novopay, the Pike River mine disaster and collapse of Solid Energy, the 2011 Christchurch Earthquake) there are campaigns for healthy school lunches, and to get the All Blacks to play in Samoa; plus marvellous moments like the 2011 Rugby World Cup final. An emotional John Campbell tautokos his team, and signs off: "Ka kite anō and a very good evening indeed." 

Musician, DJ and accomplished sailor Andrew Fagan heads to Indonesia with guitar in hand — plus some miniature sail boats. The trip includes an active volcano, a dodgy riverboat, the peaceful vibe of an Islamic festival, and some catchy Fagan tunes. The result is a standout episode, thanks partly to an enthusiastic and straight-talking host: a man who makes the most of each moment, without turning his head away from the realities of poverty, or the after-effects of terrorist bombing. Warning: animal lovers may want to avoid certain scenes. 

This first episode of the popular TVNZ Pasifika youth show is presented by brothers Nainz and Viiz Tupai (aka Adeaze), who are heading back to Samoa to play a post-Tsunami fundraising gig in the village of Lalomanu. Elsewhere, Vela Manusaute hosts Brown’n’around and is MC at Manukau PI festival Strictly Brown, before teaming up with Bella Kololo and Jermaine Leef to judge Fresh talent. Actor Jason Wu gets ready for the premiere of movie Matariki; the Samoan myth of Sina and the eel gets fresh retelling; and Bill Urale (aka King Kapisi) talks tatau.

The Māori Sidesteps began as a live band, then starred in this fictionalised web series. The tale begins at Pete's Emporium in Porirua, where the staff need an escape from the daily grind. Managing the new band is the Emporium’s owner Dollar$ (Raybon Kan). In series one the band struggle for gigs, band members and a sense of identity. An earthquake in season two triggers a tsunami of absurd challenges, including rival bands and a seductive demigod. Starring as the Sidesteps are Jamie McCaskill, Cohen Holloway, Rob Mokaraka, Jerome Leota and Erroll Anderson.

QTV is a children's series, designed to bring science alive and make it relevant and interesting to young viewers. Each episode of QTV covers a topic such as forensics, volcanoes, tsunamis, biodiversity, climate change, etc. Q is short for question - the show's tagline is "Question Everything".

Rhian Sheehan went from being a music student concocting computer-based tracks in his bedroom to charting new territory for New Zealand electronica with 2001 album Paradigm Shift. Several tracks appeared on international compilations, including Café del Mar Vol 10. Three albums have since followed, including 2009's 14-part soundscape voyage Standing in Silence. In a five star Dominion Post review Tom Cardy said Silence's instrumental atmospherics were, "spine tingling ... a tsunami of sound. Sheehan, take a bow, you've nailed it."