In the era before 24 hour transmission, packages like these opened the day on TV1 and TV2. United by patriotic zeal, they focused on Kiwi people at work and play, and on scenery, and could have doubled as tourism promos. (The 1976 edition — second clip — borrows more than just the soundtrack from short film This is New Zealand). The party piece is the first clip: an epic tag-team version of the national anthem, sung by Annie Crummer, Peter Morgan, the Patea Māori Club and Dalvanius, backed by the NZ Youth Jazz Orchestra. It was originally recorded for Expo 88 in Brisbane.
With the establishment of TVNZ in 1980, Lookout was introduced as TV1’s local documentary slot featuring 45 minute programmes on Friday nights. The series didn’t have a unifying theme but, instead, featured work made in-house and independently (with the latter including a number of NFU productions). As well as documentaries, Lookout also included a number of episodes of Trial Run where juries of everyday people examined current issues. In 1981, TV1’s documentary strand was renamed Contact but it returned sporadically as Lookout in 1982.
Programmer John McCready has had a significant impact on the television industry in New Zealand. After extended time in music and radio he joined TVNZ in 1989 as Manager of Presentation and Promotion, just as TV3 came on air. The following year McCready became TVNZ's Director of Programming, and revamped both TV1 and TV2 over a four year period. He headed overseas for a while, before returning to New Zealand as Director of Programming and Marketing for Sky TV. Before retiring in 2007, McCready successfully launched The Living Channel and Food TV on Sky.
Popular radio and television personality Jennie Goodwin (aka Jennie Forder) became the first woman in the Commonwealth to read a prime time news bulletin. Beginning as a continuity announcer on TV1, Goodwin moved to the fledgling TV2/SPTV channel in 1975 and read the news on the channel’s Two at Seven bulletin until 1982.
In 1969, the arrival of network television ushered in a new era of regional news to replace Town and Around, whose four editions had served local audiences in the 1960s. Christchurch and Dunedin now got different shows, both called The South Tonight. The DNTV-2 edition covered Otago/Southland; it was presented by Derek Payne and produced by Bruce Morrison. The show disappeared in 1975 but, following the amalgamation of TV1 and South Pacific Television, re-emerged in the early 1980s (initially as 7.30 South), this time with Jim Mora in the front seat.
TVNZ focused on contemporary urban issues in New Streets as a counterpoint to its epic Landmarks documentary series which charted NZ’s historical development. Over three episodes, Neil Roberts examined the rapid growth of South Auckland, the spotlight was placed on an arts employment scheme for disadvantaged Mangere youth, and writer Albert Wendt provided a personal perspective on how the traditional values of his Samoan community were coping with Auckland’s urban pressures. New Streets screened in Lookout, TV1’s early 80s local documentary slot.
An old woman (Olive Bracey) recounts to her nephew (actor Martyn Sanderson) memories of her life in Hokianga. The film is a mix of personal return journey for Sanderson and an affectionate record of his spirited aunt (she's "the one who ate wheatgerm" in the family). Autumn Fires mixes conversations, photos, and dramatisations of romantic letters. Sanderson rambles on the farm, picks mussels in bull kelp sandals, muses on industrial agriculture and on the "unambitious peaceful life". Directed by Barry Barclay, the elegiac film screened in TV1's Scene series.
10AM was among the first of a run of magazine-style arts shows to screen in a morning weekend slot. Debuting on TV1 in mid 1990, it was hosted by Radio New Zealand veteran Kathryn Asare. 10AM mixed reports and studio interviews (conducted by Asare) on various topics involving the Kiwi arts scene. Producer Gil Barker felt Asare was a television natural, fighting pressure to give the role to an established “telestar”, or change Asare’s image. He also brought in writer Peter Hawes to help bring a lighter touch to the show than arts programmes from the past.
This notorious clip was filmed for Timberjack's appearance at the 1971 Loxene Golden Disc Awards, to accompany their symphonic cover of the song by British band Black Widow. The Wicker Man-esque images of skulls and ritualistic sacrifice would do any of today's "black metal" groups proud — but proved too much for TV1 audiences, who jammed the switchboard with complaints. An alternate version screened a week later with the black and white negative inverted, but proved equally unsavoury and led to an outright ban. Warning: contains nudity and pine needles.
TV1 celebrated Christmas by throwing most of its big names into this 1977 comedy/variety show. Ringleaders Roger Gascoigne and Nice One Stu's Stu Dennison are joined by a cavalcade of newsreaders hiding under Santa beards. Among the loopy 70s oddities on show: Brian Edwards in school uniform, channelling The Goons; Selwyn Toogood doing an It's in the Bag sketch that would nowadays likely be deemed too un-PC to make it to air; plus racehorse expert Glyn Tucker talking reindeer races. Madcap band Mother Goose also appear.