This film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.
This edition of the mid 1990s TV One arts series sees host Alison Parr interviewing literary rising star Emily Perkins, then 26, while the expat author is visiting from London. Perkins talks about her time at drama school, her debut short story collection Not Her Real Name (whose Generation X life stories won international notice), and nerves about her upcoming first novel. The episode opens with poet Bill Manhire talking about book Mutes and Earthquakes, which anthologised the work and processes of his Victoria University creative writing programme. Perkins was a graduate.
Delirium is 2019's winning entry in ScreenTest, NZ On Screen's school filmmaking competition. The short film explores the state of mind of Clark (Thomas van Tilborg), a schizophrenic who descends into dark places after he stops taking his medication. ScreenTest judge Paul Yates (Wellington Paranormal) called Delirium "an assured wee horror film by someone who clearly loves the horror genre", and praised it for making the viewer question the reality of what they were seeing. Tom Field wrote and directed the film as a year 13 student at Auckland's Kristin School.
Being Chinese: A New Zealander’s Story author Helene Wong grew up in 1950s Aotearoa, and has worked in the arts as a performer, writer, and film critic. She discusses her varied career in this Funny As interview, including: Growing up with radio comedy, being the class clown at school, and realising that you could make people laugh with voices and accents The university capping review being a revelation and a liberation — presenting an opportunity to deal with issues and being more than just "prancing about on the stage" How the introduction of television meant being able to see politicians — "their physicality, their flaws and their body language" – providing wonderful source material for satirists Working with Roger Hall, John Clarke, Dave Smith and Catherine Downes on university revue One in Five, and mimicking three-screen promotional film This is New Zealand to open the show Working for Prime Minister Robert Muldoon in the 70s as a social policy advisor – despite spending “the previous few years having a lot of fun satirising him”– and feeling that he had a "kind of dark force field around him" Reaching a turning point in comedy about Asians in New Zealand; Asians have started to "take back the power" and "as opposed to encouraging audiences to laugh at us, we’re now getting them to laugh with us"
The Manawatu has provided fertile ground for New Zealand comedic talent, including producing six-person comedy group Facial DBX.
In 1969 Dave Smith acted in New Zealand's first televised comedy sketch show, In View of the Circumstances.
Roger Hall began his take over of the Kiwi stage in 1977 with Glide Time. Later the play inspired Gliding On, the first local sitcom to become a major hit.
Growing up around stage shows and TV studios, future Billy T award-winner Dai Henwood knew from early on that he wanted to be involved in comedy.
A rod and rally race is the angle for this 1969 light comedy. Legendary angler ‘Maggots’ McClure lures “glamour boy” lawyer and fishing novice Applejoy (Peter Vere-Jones) into a contest to catch three trophy fish in Russell, Taupō, and Waitaki. The old dunga versus Alvis ‘Speed 20’, north versus south duel transfixes the nation; snags, shags and scenic diversion ensue. Directed by noted UK documentary maker Derek Williams, the caper was made with NFU help and funded by energy company BP. It showed with Gregory Peck western The Stalking Mood in New Zealand theatres.
John Reid made his feature debut with an acclaimed version of hit Roger Hall stage play Middle Age Spread. He went on to direct three more features ranging from raw comedy to moody arthouse pieces — plus documentaries, TV dramas and commercials. Reid has also been head tutor at the New Zealand Film and Television School in Wellington, and written the definitive book on the history of Pacific Films.