Men of the Silver Fern was a four-part celebration of all things All Black, made in 1992 for the centenary of the NZRFU (now known as New Zealand Rugby). This first episode covers the early period from when Charles Monro kicked off the sport in NZ in Nelson on 14 May 1870, through the establishment of rules, provincial unions and the New Zealand Rugby Football Union. The programme surveys the front-running international tours — from the 1884 Flaxlanders to the 1888 Natives, 1905 Originals and 1924 Invincibles — where the All Blacks’ "winning reputation" was forged.
Dragon brothers Marc and Todd Hunter bestride the hills of south east New South Wales in this video for one of their latter hits. The autumnal lyrics are a good fit for a band in its later and more reflective years: Marc is celebratory in one of his last videos with the band. Todd — bass against the bush background — is gleeful, and the cow unperturbed. Written by keyboard player Alan Mansfield and his partner, Kiwi singer Sharon O’Neill, ‘Young Years’ gained added poignancy following Marc Hunter’s death in 1998. O’Neill has dedicated her performances of the song to his memory.
A death-bed confession from a touch judge leads to a repeat of a test match between the All Blacks and Wales played 25 years earlier — with the same players. Before the footy, a former Welsh star is forced to face up to a past romance. Mateships and rivalries are rekindled in this genial "what if" yarn, that celebrates and satirises two nations' rugby obsessions. It won best screenplay and supporting actor (John Bach) at 1992's NZ Film Awards. The cast saw former All Blacks and Welsh rugby reps playing alongside acting greats from both countries.
This silent 16mm gem shows two legendary All Black teams in action. The film opens with a roll-call of the returning ‘Invincibles’, who — starring fullback George Nepia — were unbeaten on their international tour of 1924/5; and then features match highlights. The second clip opens with rare footage of the 1905 ‘Originals’; before returning to packed 1925 Twickenham for a test match, where the Invincibles perform “the famous Māori War Cry”, show off the Kiwi mascot (intended as a gift for the first team to beat them), meet the Prince of Wales, and defeat England.
There have been many royal visits since Prince Alfred first came to NZ in 1867 for pig hunting and picnicking. Made for TV (it screened in March 1970), this NFU title surveys tours from George V in 1901 to Queen Elizabeth II in 1963, via archive footage and photos. It also looks at NZ’s changing relationship to the “distant mother country”. Tours include the Prince of Wales in 1920 (he is said to have shaken 20,000 hands), the Duke and Duchess of York in 1927 (the footage is silent so there’s no speech from the future King George VI), and Queen Elizabeth II’s 1953-54 Coronation Tour.
Screened in the lead-up to the 1999 World Cup final, this keenly-watched series explores the history of our most famous sports team. Episode one is framed around All Black encounters with England, Wales and Scotland. In these excerpts, Quinn tracks down 60s test prop 'Jazz' Muller (whose home is a shrine to touring days), explores prop Keith Murdoch’s infamous 1972 tour expulsion; visits the marae of George Nepia, examines rugby’s far-from-egalitarian status in England; and various All Blacks recall the rare shame of losing, amidst a history of victory.
This documentary follows the then world champion All Blacks on a 1989 tour of Wales and Ireland. With star winger John Kirwan as guide, 'The All Black Film Unit' gives a players’ insight into an international tour in pre-professional, pre-media trained times — there’s even a plate of oranges. Match, training, and travel footage is complemented by relaxed encounters with players (Zinzan Brooke mounting a shetland pony has entered rugby folklore). Producer Ric Salizzo repeated the recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Open Home was a 90s series looking at New Zealand homes and the people making, designing and living in them. This episode from the third season ranges from deconstructionism to DIY. Builder (and future Dunedin mayor) David Cull checks out a Northland glasshouse designed by Nigel Cook, before visiting the renovated Australian farmhouse and digital recording studio of Dragon band member Todd Hunter. Susan Wood tries translating the architectural theory of deconstructionism with the help of Auckland architects, including Mark Wigley.
Oft-derided across the dutch for its vowel-mangling pronunciation (sex fush'n'chups anyone?) and too fast-paced for tourists and Elton John to understand, is New Zealand's unique accent. Presented by Jim Mora, New Zild follows the evolution of New Zealand English, from the "colonial twang" to Billy T. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) ending our sentences, and Mora interprets such phrases as 'air gun' (how are you going?). Features Lyn of Tawa in an accent face-off with Sam Neill and Judy Bailey.
Like many of his generation in the United Kingdom, Ray Green was called up for National Service. But it wasn’t until he and his mates were almost on the troopship heading to Korea in 1951, that they realised they were going to fight. Green’s Welsh regiment spent a full year in the combat zone. Danger was ever-present as they patrolled on pitch black nights with the enemy just two thousand metres away, or over the next hill. As he recounts in this interview, Green escaped death or injury on several occasions. He relives it every night, but says it was an adventure he wouldn’t have missed.