Filmed in New Zealand’s deep south, this feature follows the vicissitudes of Adrian: a sensitive 11-year old haunted by the disappearance of three local children, who befriends mysterious new-in-town Nicole. The adaptation of Sonya Hartnett’s coming of age novel Of A Boy, is the feature debut of Denmark-based Dunedin-born director Daniel Joseph Borgman, following on from his lauded shorts Berik, and Lars and Peter. The creative team behind the 'informal' Danish-NZ co-production included frequent collaborators of directors Lars Von Trier and Thomas Vinterberg.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
It seems a fascination with going fast is built into human DNA. Covering distance in the shortest amount of time has long captured our imagination. From muscle-powered freaks of nature (thoroughbred horses, falcons, Peter Snell) to motorhead mayhem, from Formula 1 legends to front-running design innovation, this collection celebrates the particularly Kiwi 'need for speed'.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
New Zealand has a fine tradition of Kiwi canines on screen. Felines, however, can be a little trickier to wrangle when the cameras roll. This collection celebrates our favourite screen cats and dogs – somewhat weighted toward the latter. From Spot to Dog, plus Rastus, Hairy Maclary, Scarface Claw, and much more. We can’t forget “Bugger", a canine that drives or classic series A Dog’s Show – man and his dog (plus sheep) proving a winning formula for Kiwi TV gold in the 1980s. So Sit! Watch. And enjoy a purrfect canine and feline mix...
TV series The Deep End saw reporter Bill Manson trying his hand at a variety of tasks, from female impersonator to Robinson Crusoe to captaining a navy frigate. In this episode, Manson is given six weeks to get in shape for a pro wrestling bout. To prepare himself for the dangerous job, 12 stone Manson hits the weights, grapples with wrestling legend Steve Rickard (On the Mat) and works with an acting tutor, barber and promoters on his onstage persona: ‘Doctor Mindbender’. “The thing that scares me," he says, "is just breaking my neck…”
Years before it became a national health crisis, star UK broadcaster David Frost hosted this audience discussion on NZ’s “battle of the bulge”. And far from his later interrogation of Nixon, Frost’s form here is loose and relaxed. Analysis makes way for his wry examinations of such du jour weight-loss products as portable saunas, laxative pills, “Easy-Slim” underwear, and the Slendermatic: a muscle vibration unit modelled by a bikini-clad lass reclining on a sheepskin rug. This was one of six Frost Over New Zealand specials filmed over a whirlwind four-day shoot.
Miranda, Gordon, Roz and Sharon deal with the life-threatening realities of obesity. Nominated for Best Documentary at the 2002 NZ Television Awards, Big explores their daily routines and difficult relationship with their size. Miranda is severely overweight and can't dress or wash without help; Roz is upfront about her bingeing and its origins in low self-esteem; Gordon undergoes lap band surgery in the hope of curing his tendency to retain weight. Big’s most poignant moments come from Miranda and Roz’s determination not to let their struggles affect their children’s well-being.