This documentary looks at the life and work of New Zealand's most celebrated painter, Colin McCahon. The first excerpt looks at McCahon's beginnings in Timaru and Dunedin, and his explorations of modernist techniques in paintings that reconceived 'the promised land' in an endemic landscape. The second excerpt covers McCahon's time in Muriwai in the 60s and 70s, and the influence of the environment and Māori spirituality on his work. Sam Neill reads from McCahon's letters and writings. Directed by Paul Swadel, it won best documentary at the 2005 Qantas Awards.
In this fifth episode from his personal examination of New Zealand at the end of the 70s, Ian Johnstone explores the then new suburb of Massey in West Auckland — the latest instalment in what seemed, at the time, like an unending march of urban sprawl (which had already produced seemingly far-flung suburbs like Otara and Porirua). For Johnstone, Massey is an "infestation of houses", bafflingly lacking in community amenities. By turns wry, considered and accusatory, this masterful performance would have made him few friends in town planning circles.
Drummer Shelton Woolright and guitarist Marcus Powell from West Auckland metal band Blindspott feature in this episode from a series made for high school music students. They talk about their beginnings playing in sheds and paddocks in Taupaki and their decision to “get serious” which led to a major label record deal and radio play in Australia and South East Asia. The third Blindspott single ‘S.U.I.T. (So Us Is This)’ gets an acoustic run through as its construction is explained and there are some school friendly excerpts from the music video.
Writer Maurice Gee’s experiences growing up in West Auckland during World War II were the basis for this home front drama expertly realised by the producer/director team of Ginette McDonald and Peter Sharp. Twelve-year-old Rex Pascoe (Milan Borich — future singer in the band Pluto) is a war-obsessed schoolboy worried about his father’s black-market dealings. Meanwhile, American soldiers are making their presence felt but not all of their attitudes are welcome. The locals’ prejudices are about to be tested by the arrival of a GI to stay with Rex’s family.
The Savages are a working class West Auckland family who like drinking, and living by their own rules. Savage Honeymoon is a celebration of their passion and leather pants - and a snapshot of a couple worried their children may not be as lucky as them. Mark Beesley’s debut feature won good reviews (The Herald praised its “self-confident swagger”) – and headlines, after being downgraded from an R18 to R15. The film pre-dated the Westie family of Outrageous Fortune - though Beesley then hated the Westies label, disliking the word’s negative connotations.
Filmmaker Tom Reilly went to Graham Gordon’s West Auckland wrecker’s yard to buy car parts. He soon found himself chronicling Gordon’s battle with the former Waitakere Council trying to clear his 100 acre property (nicknamed Gordonia) of car wrecks, and a small army of colourful but largely destitute men camping there. The result was a documentary capturing the gulf between Gordon’s cheerful but dogged non-conformity and a council determined to enforce its by-laws at all costs. The soundtrack is by guitar legend and occasional resident Billy TK Senior.
A prequel to classic TV3 series Outrageous Fortune, Westside travels back in time to meet young Rita (Antonia Prebble), Ted (David de Lautour) and their son Wolf West, on the make in West Auckland. This first episode opens with Ted leaving Mt Eden prison, then sets him on a safe-cracking plot that is aided by the 1974 Commonwealth Games. Prebble played Loretta West in Outrageous, and first took on the role of Rita in flashbacks from season four. Devised by Outrageous creators James Griffin and Rachel Lang, Westside won acclaim: "all the hallmarks of a classic", said Stuff.
The last drama to be made in-house by TVNZ, The Champion was written by author Maurice Gee at the behest of producer Ginette McDonald after the success of their collaboration on The Fire-Raiser. Set in Henderson, West Auckland over three weeks in early 1943, it centres on 12 year old Rex (Milan Borich — later the lead singer in Pluto) and a black American GI billeted with his family. This tough, accomplished drama looks unflinchingly at racism and prejudice — both imported and local — and is ample testimony to the skills of its writer, cast and crew.
Self-described as “Ewen Gilmour’s not-so-special”, this episode from stand-up showcase Pulp Comedy praises Gilmour's beloved West Auckland. Waitakere mayor Bob Harvey even presents his Cultural Ambassador with the coathanger to the city. Nothing escapes the late comedian’s warm-hearted bogan barbs, from cerebral palsy to the Avon River. Also included are an ode to hitchhiking, George Mallory’s claims to have beaten Hillary, the love-making benefits of a goatee, flying high, stoned semen, westie Halloween and using the SPCA as a cattery.
The first episode of this Kiwi-Pasifika comedy whodunnit introduces us to the extroverted Kala, and her close-knit group of West Auckland housie lovers and churchgoers. Kala and Chaka's pricey fundraiser for the new Avondale church hall has packed them in — but then the night's takings go missing. Kala (played by musician Bella Kololo) feels all eyes and ears are on her as she tries to contain the secret of the missing money. Written and directed by Mario Faumui (Fresh), the web series also features actors Sushila Takao (Filthy Rich) and Stacey Leilua (in an eye patch!)