This documentary tells the 25-year history of Kohanga Reo via the influential figure of Iritana Tāwhiwhirangi (2014 New Zealander of the Year finalist). Kohanga Reo is a world-leading educational movement that revitalised Māori language, “by giving it back to the children”. Not eschewing controversy, director Tainui Stephens’ film journeys from a time when students were punished for speaking Māori to a present where they can have ‘total immersion’ schooling in te reo. The Qantas Award-nominated doco screened on Māori Television, and at indigenous festival ImagineNATIVE.
Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
After the passing of a family member, the Bell family discovered a selection of late 19th century photographs tucked away in a closet. Taken by a man named William Partington, the photos documented local Māori around the Whanganui River area, and were subsequently of incredible cultural and financial value. The owners of the photographs opted to sell them at auction. Local iwi on the other hand, felt it important that their whakapapa returned home. Winner of an Aotearoa TV Award, this documentary tells the story of finding compromise when dealing with precious taonga.
Taaniko Nordstrom and her sister Vienna are the creative duo behind Soldiers Rd Portraits, who create customised vintage portraits for indigenous people and often work with Māori inmates, reconnecting them with their whakapapa. Wellington filmmaker Louise Pattinson directed and edited this short documentary for the Loading Docs series. She focuses on Soldiers Road working with a group of Māori teenagers trying to find their place in the world. The teenagers tell their stories through letters to tipuna (ancestors), traditional costumes and ta moko.
Alien Weaponry are a thrash metal band which often sings in te reo Māori. This Vice documentary meets them as they prepare to tour Europe, and take the metal world by storm. The quiet lives of the members — Lewis de Jong and Ethan Trembath attend different high schools, while Henry de Jong is an apprentice mechanic — are contrasted with a high intensity performance (at the Auckland release show for the band's debut album Tū). The de Jong parents share stories about their two sons, and the band travel to Lake Rotoiti, to reconnect with their whakapapa.
In this documentary, Tā moko artist and kapa haka teacher Sacha Utupoto Keating rode the Whanganui River on a journey to discover his whakapapa. Director Howard Taylor followed Sacha's personal story and the wider histories of the awa, weaving reconstructions, archival footage and lush river images into a rich story of people and place. "Taylor's investigation of the mythical, historical, ecological and spiritual aspects of the Whanganui River is deeply moving." said Grant Smithies in the The Sunday Star-Times."You're left entertained, enlightened and politicised."
As the poster puts it, The Pā Boys is "about 'life, death and fu**ing good music'. It follows a Wellington band playing East Coast and Northland pubs, as they head for Cape Reinga. The trio find themselves on a roots journey that's both musical and personal (mateship, whānau, whakapapa). The cast includes singer Francis Kora, with songs by Warren Maxwell. Released in Kiwi cinemas on Waitangi Day 2014, Himiona Grace's first feature won positive reviews, and a Best Film gong at the 2014 Wairoa Māori Film Festival. Ainsley Gardiner (Boy) and Mina Mathieson (Warbrick) produced.
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.
This 1972 National Film Unit production promotes New Zealand’s national parks, from the oldest — Tongariro (established in 1887) — to Mt Aspiring (1964). Besides slatherings of scenic splendour, the film shows rangers clearing tracks, 70s après ski activity on Ruapehu, and school children at Rotoiti Youth Lodge: skylarking, river crossing, and cornflake eating en masse. When this film was made there were 10 National Parks (there are now 14). “In all their variety they’re the heritage of everyone who’s heard the call and felt the freedom of the unspoilt land.”
This web series profiles nine Ngāi Tahu artists, all working in different mediums. Weavers Reihana Parata and Morehu Flutey-Henare, and carver Fayne Robinson use traditional designs and materials like flax, feathers, stone, pounamu and wood, while conceptual artist Nathan Pohio uses 'found' objects like old photographs, presenting them in different contexts so they speak to a new audience. From photographer Fiona Pardington's 'memento mori' imagery to painter Simon Kaan's serene landscapes, each artist draws inspiration from the land and its wairua (spirit).