This 2007 pre-World Cup interview travels to Opunake, the hometown of All Black Carl Hayman. Hayman talks candidly about joining his school 1st XV (King's High) and being inspired by the early 90s “golden era” of Otago rugby; of the euphoria of finally scoring a try for the All Blacks; attending his first ABs press conference in true Otago style (wearing jandals and a woollen jersey); and being a large surfer. Hayman, then-widely adjudged the world’s premier tighthead prop, would later controversially remove himself from All Black contention by playing in Europe.
Carl Bland is an acclaimed actor, playwright and painter. He was a core cast member in neighbours at war show Rude Awakenings, and hit drama Street Legal; later he reprised his screen legal skills in Filthy Rich. In 1999 Bland was award-nominated for his turn as an HIV positive agoraphobic in I’ll Make You Happy. Bland is a veteran of NZ alternative theatre, often in collaboration with his late partner Peta Rutter.
The day after attending a fiery public debate (see video above) over Africa's threatened boycotts of the 1976 Montreal Olympics, Abraham Ordia, then-president of the African Council of Sport, sat down for a more subdued interview with Gordon Dryden. Ordia had arrived in New Zealand that week, hoping to convince Robert Muldoon to limit sporting contacts with apartheid South Africa. The PM refused to see him. Ordia recalls his Nigerian childhood, studying psychiatry in Zurich under Carl Jung, and makes a final plea to the viewer’s conscience on the issue at hand.
Featured here are two performances of 'Nothing But Dreams' by Tina Cross. The first sees Cross in sequins at the 1979 Pacific Song Contest, in front of a global television audience estimated at 50 million. Cross was 20; she'd first sung on TV at age 16. Carl Doy's composition took away the top prize for Best Song, against entries from six other countries. The second clip is from a 1985 Michael Fowler Centre special, celebrating 25 years of television in New Zealand. By now Cross was in new wave duo Koo De Tah. That year they scored an Australian Top 10 hit with 'Too Young for Promises'.
Ol’ Brown Eyes celebrates 40 years in showbiz with this variety concert, alongside some of his mates including Ray Columbus and Bunny Walters. The show is mostly live entertainment, punctuated by a few nostalgic field stories where Sir Howard acknowledges his upbringing and Māoritanga. The show ends with the Morrison whānau performing, followed by the hymn that gave Sir Howard a number one hit in 1982: ‘How Great Thou Art’. This TV special was dedicated to Sir Howard’s mother Kahu, who was an outstanding singer in her own right.
New Zealand’s first CGI short film gives “eyes on the road” a new meaning as a pair of eyeballs drive to a mind-bending purgatory. A collaboration between visual effects man John Sheils and his brother Michael, Scream was shot in early 1991; finally 25 minutes of footage was “brutally” edited down to three, and fulsomely scored by John Gibson. The sly ‘based on true events’ title-card nods to the makers’ ambitions to “treat animation like live action.” In 1994 it screened in NZ cinemas as opener to the ILM wizardry of Jim Carrey hit The Mask, followed by a number of overseas festivals.
Reggae band Herbs hold a special place in the history of New Zealand pop music, mixing feel-good rhythms with burning social and environmental issues. The original line-up consisted of five musicians from across the Pacific. Their string of hits in the 80s and 90s helped Aotearoa forge a new Pacific identity. For this documentary director Tearepa Kahi (Poi E: The Story of Our Song, Mt Zion) captures the band's reunion, and interviews key members about the protest movement that lit a fire under the group, their chart topping success, and famous collaborations.
This 2001 Mercury Lane episode is based around pieces on author Maurice Shadbolt, and OMC producer Alan Jansson. With Shadbolt ailing from Alzheimer’s, Michelle Bracey surveys his life as an “unauthorised author” (Shadbolt would die in 2004). Next Colin Hogg reveals Jansson as the “invisible pop star” behind OMC hit ‘How Bizarre’ and more. The show is bookended by readings from Kiwi poets: Hone Tuwhare riffs on Miles Davis, Fleur Adcock reads the saucy Bed and Breakfast, and Alistair Te Ariki Campbell mourns a brother who fought for the Māori Battalion.
Screened in the lead-up to the 1999 World Cup final, this keenly-watched series explores the history of our most famous sports team. Episode one is framed around All Black encounters with England, Wales and Scotland. In these excerpts, Quinn tracks down 60s test prop 'Jazz' Muller (whose home is a shrine to touring days), explores prop Keith Murdoch’s infamous 1972 tour expulsion; visits the marae of George Nepia, examines rugby’s far-from-egalitarian status in England; and various All Blacks recall the rare shame of losing, amidst a history of victory.
In this Kaleidoscope report, Lorna Hope profiles poet, novelist and critic CK Stead as he resigns from his position as a Professor of English at Auckland University to write full time. Stead is filmed teaching, writing (at his Karekare bach), at home in Parnell, and at Frank Sargeson’s Takapuna house. He discusses his academic career, family life, walking for inspiration, and how he began writing as a teen. He also mentions his novel Smith’s Dream (adapted into 1977 feature film Sleeping Dogs), and how its themes are echoed in the 1981 Springbok Tour protests, where Stead was arrested.